It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 8, 2012, 10:05 AM
http://editorunderconstruction.blogspot.com/2012/0...
There are very few conventional assembly techniques, but the result creates a great sense of spaciousness. As Ron says Brunett 'to edit a movie does not override a way of ordering recalcitrant elements, but a way its own inherent meaning.
February 8, 2012, 10:04 AM
http://provideocoalition.com/index.php/ssimmons/st...
Back in January news broke that reality television producers Bunim/Murray were switching their post-production facilities from Final Cut Pro to Avid Media Composer. This probably didn't come as a great shock to anyone who follows post-production as the release of Final Cut Pro X had left many people (especially those in the broadcast world) a bit stunned at its lack of broadcast features.
February 8, 2012, 10:01 AM
https://www.aotg.com/tarantino-on-old-school-film-splicing/
Tarantino on old school film splicing versus computer push button editing.
February 8, 2012, 10:01 AM
http://provideocoalition.com/index.php/ryoung/stor...
Here's another summary of the last week or so of some news on After Effects tutorials, plug-ins, and scripts. The return to the regular news cycle caught idle hands by surprise with a promise of a big CS6 release, snakes in AE, tracking offscreen, plug-ins, and more.
February 8, 2012, 09:59 AM
http://feedproxy.google.com/~r/FinalCutWhiz/~3/JCk...
Want your footage to have a filmic look? Color Grading Central might have the solution for you. Check out their new plugin for Final Cut Pro X – cineLook for HDSLR's with Gorilla Grain. For USD99 you can get your video to look as if it was shot on 35mm film. This plugin comes with...
February 8, 2012, 09:58 AM
http://feedproxy.google.com/~r/industryhappenings/...
Final Cut Pro X Version 10.0.3 has just been announced. It introduces Multicam Editing, Broadcast Monitoring, Media Relink, advanced Chroma Keying and many more new features. Join us Febuary 22, 2012 as we welcome Guru Larry Jordan who will show us all you need to see and know. You can now bring your old FCP [...]
February 8, 2012, 09:58 AM
http://www.theparisreview.org/blog/2012/02/07/josh...
In 2009, artist Josh Melnick used a scientific research camera to film portraits of New York City subway riders in slow motion—very slow motion, about a hundred times slower than normal film speed. The result was a moment viewed as if through a high-powered microscope, revealing a degree of temporal detail inaccessible to the naked eye.
February 8, 2012, 09:57 AM
http://news.creativecow.net/story/868124
At the 2012 NAB Show, I-MOVIX will show the brand-new X10 system, the industry's first live ultra-motion solution to deliver real-time, continuous extreme slow motion in full HD at a groundbreaking 300 fps (or 600 fps in 720p).
February 8, 2012, 09:55 AM
http://news.creativecow.net/story/868125
(Santa Clara, California--February 8, 2012) The ASSIMILATE Store, the unique on-line marketplace to discover, trial, and purchase SCRATCH Lab, as well as third-party software and selected hardware accessories, has expanded its product offerings to include two exciting new products...
February 8, 2012, 09:54 AM
http://library.creativecow.net/devis_andrew/AE-Bas...
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 34: In this tutorial, Andrew Devis shows how to quickly select and change your font selection and modify its look and feel with the Faux options in the character panel.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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