It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 25, 2012, 11:38 AM
http://www.2-pop.com/article/115458
Here's a tutorial from Wide Open Camera's Chris Marino about how to do detailed color-grading using both the free REDCINE-X and Premiere Pro. Says NoFilmSchool.com, If you have Adobe Premiere Pro CS5.5, the changes you make to your shots in REDCINE update in Premiere Pro losslessly. Premiere Pro correctly interprets the metadata and you can then use, say, Colorista for secondary color correction on top of the native .R3D files.
January 25, 2012, 11:36 AM
http://www.digitalproductionbuzz.com/2012/01/24/in...
The Grass Valley ADVC G-Series of affordable, multi-purpose digital video converters are at the leading edge of technology, and the latest additions to the renowned ADVC family. Housed in a practical and compact 1/3 RU form factor, these four converters tackle a variety of different A/V tasks and are particularly well suited to events and staging, corporate AV centers, and broadcast display applications.
January 25, 2012, 11:35 AM
http://www.digitalproductionbuzz.com/2012/01/24/pr...
PreSonus is now shipping new and improved versions of two of its classic tube preamplifiers: the BlueTube DP V2 and TubePre V2. Enjoy solid-state clarity or tube warmth with the BlueTube DP V2 dual-path mic/instrument preamp. The solid-state path feeds PreSonus' Class A XMAX mic preamplifier with 80 dB of variable gain-an upgrade from the original BlueTube DP.
January 25, 2012, 11:30 AM
http://www.digitalproductionbuzz.com/2012/01/24/an...
In this Filmmaking Webinar we examine how, at the most basic level, we use video compression to make files smaller to simplify downloads. However, making small files with great looking images can be a real challenge. This webinar builds on the compression fundamentals webinar – Compressor 4 Workflows – and takes you farther and into other compression tools.
January 25, 2012, 10:50 AM
http://www.postmagazine.com/Press-Center/Daily-New...
PORT ST. LUCIE, FL -- Two film worked on by Digital Domain Media Group (www.ddmg.co) have been nominated for the visual effects Academy Award: Real Steel and Transformers: Dark of the Moon.
January 25, 2012, 10:50 AM
http://provideocoalition.com/index.php/cmilby/stor...
If you're planning to be in the San Francisco/Bay Area this Friday, then you have a great opportunity to attend the most renowned user group meetups in the world, the FCPUG SuperMeet!
January 24, 2012, 04:56 PM
https://www.aotg.com/episode-82-mary-jo-on-cutting-miiii/
Part 2 of my interview with Mary-Jo Markey, editor of Super 8, MI3 and LOST. In this episode we discuss editing Mission impossible three as well as our new cutting room site...
January 24, 2012, 03:56 PM
http://fixitinpostprod.wordpress.com/2012/01/24/cr...
When you cover a sport like hockey, basketball or football, there is a clear, defined direction of play, that being east-west, or for the viewer, left-right. However, what happens in a sport when there is no clearly-defined direction of play? With MMA becoming more and more mainstream everyday, and more events being televised, I felt...
January 24, 2012, 03:56 PM
http://blog.digitalcontentproducer.com/briefingroo...
AMS Pictures, a Texas-based, premiere, full-service video production company, has upgraded its production capabilities to full high-definition (HD) production with the purchase of a new Karrera Video Production Center switcher from Grass Valley.
January 24, 2012, 03:55 PM
http://www.macvideo.tv/editing/interviews/?article...
Autodesk's, Marc Hamaker, talks about editing on Smoke on the Mac. While the system is undeniably as finishing tool, Smoke also features a full-blown editor, enabling uncompressed 4:4:4 or 4:2:2 output, and a host of capabilities not found in a standard editing application.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.