It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 22, 2018, 11:45 AM
http://www.fcp.co/final-cut-pro/news/2043-tear-vid...
A new product and a new(ish) look. Idustrial Revolution has just released XEffects Rips, a set of plugins for Final Cut Pro X that rip or tear video and still images. There's a special launch price of $39 down from $49 too.
February 22, 2018, 11:45 AM
http://variety.com/2018/film/awards/christopher-no...
The nominated films for the 90th Academy Awards include plenty of breakthroughs, such as works from women and black filmmakers, genre-bending movies and two first-time directors. It’s a cutting-edge lineup.
February 22, 2018, 06:06 AM
http://www.finalcutpro.es/2018/02/video-round-trip...
Si hay una duda que nos planteáis de forma periódica a través de esta web y de nuestras redes sociales, es como trabajar con determinados modelos de cámara. En este vídeo vamos a tratar de dar dos soluciones para poder montar en Final Cut Pro X con material de las Sony Alpha, como por ejemplo [...] La entrada VÍDEO: Round-trip entre FCPX y DaVinci Resolve con material de Sony a7S y a7R aparece primero en finalcutpro.es.
February 22, 2018, 06:06 AM
https://fxfactory.com/blog/effects-2/final-cut-pro...
Rip off any clips and stills on your timeline to reveal media below. Realistic and configurable paper tear edge!
February 22, 2018, 06:05 AM
http://markets.businessinsider.com/news/stocks/avi...
BURLINGTON, Mass., Feb. 21, 2018 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID), a leading global media technology provider for the creation, distribution and monetization of media assets for global media organizations, enterprise users and individual creative professionals, congratulates its customers who received awards at this year’s British Academy of Film and Television Arts (BAFTA®) Film Awards.
February 21, 2018, 06:15 PM
http://renderplease.com/post/171134542790
The AC:
February 21, 2018, 06:14 PM
http://mchristensen.net/blog/pc-build-log-01
I am about as big of a fan of Apple as one can be. They got me as a high school sophomore with the red iPod nano, they got me going off to film school with the 15" MacBook Pro, and they even got me as an employee for a few years working at a retail store and then the Genius Bar. I’ve learned the nuts and bolts of macOS, I’ve taught people how to use Apple’s products, I’ve built out Mac-based edit suites, and I eagerly await new product announcements, often watching the keynotes and event...
February 21, 2018, 02:48 PM
http://www.studiodaily.com/2018/02/ssd-critical-ap...
Folks. The moment has arrived when we need to dump our spinning mechanical drives. They served us well for decades, and still do for our very-high-capacity lowest-cost-per-gig applications like backing up an entire production. But for critical applications like offloading and managing original camera files and remote editing of multiple 4K streams, it really is […] The post SSD for Our Most Critical Applications? It’s Time. appeared first on Studio Daily.
February 21, 2018, 02:14 PM
https://www.aotg.com/utoka-creates-live-action-cg-spot-for-mizuno/
The End-to-End Creative House Goes to Bat for The Global Sporting Goods Company Providing Concept, Creative Direction, Live-Action Production, CGI, Motion Graphics & Editing Services for Its Technology-Driven Message
#cgi#utoka#ed dye#live-action#mizuno#ken soons#multi-platformFebruary 21, 2018, 10:19 AM
http://www.avidblogs.com/whats-stopping-finishing-...
The article What’s Stopping You From Finishing Tracks? by Tom Frampton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.