To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Late nights reconciling random shots...

December 17, 2011, 03:37 PM

http://brucesharpe.blogspot.com/2011/12/late-night...

When Matt Davis came across the PluralEyes plug-in, he recognized it would enable his guerilla style of shooting by allowing "some really smart software to sort it all out." Matt explains, "All the key opinion leaders were onto PluralEyes from the start as the one way that made DSLR shooting with audio "a workable solution". Clapperboards? Log sheets?

Made with After Effects

December 17, 2011, 03:35 PM

http://provideocoalition.com/index.php/cmg_blogs/s...

In what is become an annual tradition, the good folks over at motion.tv run a Made with After Effects competition. We participate in critiquing the entries, including pointing out the strong points as well as sharing our years of experience in suggesting ways to improve the work even further. The resulting discussion - as well as viewing the winners - is something we think is educational for all users looking to raise their game.

PremiumBeat.com announces new partnership

December 17, 2011, 08:38 AM

http://www.premiumbeat.com/blog/premiumbeat-com-an...

PremiumBeat.com has partnered with motionVFX to pack a high quality one-two punch for stock music and Apple Motion templates.

Eye Scream Factory Unveils 200+ Transitions

December 17, 2011, 08:37 AM

http://www.digitalproductionbuzz.com/2011/12/16/ey...

Eye Scream Factory, a provider of time-saving design templates, presets, and royalty-free content for digital media artists, has announced the availability of 200+ transition presets for Avid FX v6, a plug-in application for transitions, professional text, and advanced composites inside Avid Media Composer and Symphony, and Boris RED v5, a plug-in application for transitions, professional text, and advanced composites inside Adobe, Apple, Grass Valley, Media 100, and Sony video editing software.

BFS Honorary Member Annette Dorn has Passed Away

December 17, 2011, 08:35 AM

http://www.bfs-filmeditor.de/aktuell/meldungen/mel...

(In German) Annette Dorn was one of the founding members, has lifted the 1984 Association of Movie section from the cradle. Not only as a board they contributed significantly to the development of the association. Above all, she has also always been committed to education and training of the assistant editors. Some of our esteemed colleagues have their first steps into the profession in the editing room by Annette made ​​mandrel. Even her daughter Wiebke Brinsa-Bauml they taught the craft...

PluralEyes For Final Cut Pro X Enters Public Beta

December 17, 2011, 08:32 AM

http://www.digitalproductionbuzz.com/2011/12/16/pl...

Singular Software, a developer of workflow automation applications for video production, is pleased to announce that the PluralEyes for Apple Final Cut Pro X Public Beta is now available. The multi-award winning PluralEyes technology works alongside Final Cut Pro to instantly sync multi-camera video and audio tracks; saving hours of tedious, manual syncing during post.

Is "WeVideo" Right for You?

December 16, 2011, 03:39 PM

http://jeffvlog.wordpress.com/2011/12/16/is-online...

WeVideo gives you most of the tools of a desktop editor, performs quickly, and lets you work collaboratively. But does it have enough features for serious video editing? While the desktop video editing market has consolidated into the big four (Adobe, Apple, Avid, and Sony), it's still the wild, wild west in the browser-based online video editing market.

Blackmagic Design Releases DaVinci Resolve

December 16, 2011, 03:38 PM

http://www.2-pop.com/article/114490

Blackmagic Design has announced DaVinci Resolve 8.2 for Microsoft Windows public beta is now available for download. DaVinci Resolve for Windows public beta is available in both the full featured DaVinci Resolve 8.2 and free DaVinci Resolve Lite versions. The DaVinci Resolve 8.2 for Windows license is included with the Mac OS X version, so all current Mac OS X customers automatically get a license for the Windows version and can download it now to use in their facility.

"Setting up Media in Avid MC6" seminar

December 16, 2011, 03:36 PM

http://industryhappenings.wordpress.com/2011/12/16...

Moviola is having a free Avid seminar on "Setting up Media in Avid MC6" January 5 at 6:30pm at the Hollywood Digital Arts Center.

Singular Softwares Blog

December 16, 2011, 03:01 PM

http://brucesharpe.blogspot.com/

We create software that is used by producers of audio and video content to help them work faster and have more fun. Our products use sophisticated media analysis to synchronize audio and video recordings without the need for timecode, clappers or any special preparation.

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