It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 10, 2011, 06:34 PM
http://digitalfilms.wordpress.com/2011/12/10/rethi...
The launch of Apple Final Cut Pro X stood the editing industry on its collective ear. It also sparked some very interesting – and occasionally heated – discussions about what the design of a modern, nonlinear editing application really should be. NLEs that we all use today are a collection of terminology, tools, designs and workflows borrowed from different technologies.
December 10, 2011, 02:49 PM
http://manhattaneditworkshop.blogspot.com/2011/12/...
Editor Adam Bolt talks about the vast about of research that went into making Inside Job. For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by John Schlirf.
December 10, 2011, 08:27 AM
http://provideocoalition.com/index.php/autodesk/st...
As a Senior Smoke Trainer here at Autodesk, I routinely get question from editors and artists asking me how Smoke compares to the software packages and plugins they use for everything from editing to color correction to visual effects. This has been especially true for Final Cut Pro editors
December 10, 2011, 08:27 AM
http://provideocoalition.com/index.php/autodesk/st...
David Crites, owner of Kentucky-based post-production boutique Glyph, discusses his visual effects and finishing work for large multi-screen video installations using Smoke.
December 10, 2011, 08:26 AM
http://www.jaa-editing.com/blog/almost-there-but-n...
Principal shooting on The Pirates! has finished. The cut is (mostly) locked. Many of the sets have been dismantled, shooting crew have left, and we can still get parking spaces if we arrive slightly late. We even have Shaun The Sheep setting up where the Pirates sets used to be.
December 10, 2011, 08:25 AM
http://digitalcontentproducer.com/storage/prods/la...
LaCie has announced the 12big Rack Storage Server, a comprehensive network storage solution complete with the software and hardware needed for serious backup or file sharing right out of the box. The 12big Rack Storage Server features the performance of Quad LANs and the power of Windows Storage Server. It is powered by the industry-standard Windows Storage Server 2008 R2, Microsoft's latest version of the powerful NAS platform. The 12big Rack Storage Server ships with 6Gb/s Nearline SAS disks,
December 10, 2011, 08:23 AM
https://www.aotg.com/why-we-make-that-edit-part-4-of-4/
We put together this panel of experienced editors to discuss why we make the edit, not how. With over 100 years experience on the panel, there is a lot to learn about the creative process here.
December 10, 2011, 08:22 AM
https://www.aotg.com/why-we-make-that-edit-part-3-of-4/
We put together this panel of experienced editors to discuss why we make the edit, not how. With over 100 years experience on the panel, there is a lot to learn about the creative process here.
December 10, 2011, 08:22 AM
https://www.aotg.com/why-we-make-that-edit-part-2-of-4/
We put together this panel of experienced editors to discuss why we make the edit, not how. With over 100 years experience on the panel, there is a lot to learn about the creative process here.
December 10, 2011, 08:19 AM
https://www.aotg.com/why-we-make-that-edit-part-1-of-4/
We put together this panel of experienced editors to discuss why we make the edit, not how. With over 100 years experience on the panel, there is a lot to learn about the creative process here. Mark Goldblatt, Feature Editor: from Piranha in 1978 to Rise of the Planet of The Apes in 2011. Andrew Seklir, Episodic TV Editor: Battlestar Galactica, Warehouse 13. Derek McCants, Reality TV Editor: Big Brother, Sarah Palin's Alaska.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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