It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 28, 2020, 10:37 AM
https://www.redsharknews.com/post/item/7024-pugetb...
Puget Systems designs and builds customized workstations for video editing, graphics and animation, photo editing, visual effects, and more. They just unveiled PugetBench for Adobe CC, which it uses to benchmark systems and Adobe’s apps, including CPU, GPU, etc, and now it’s available for individuals and businesses. Puget Systems benchmarkAdobe CC benchmarkingPugetBench for Adobe CC
February 28, 2020, 10:36 AM
https://www.provideocoalition.com/transcriptive-pl...
Digital Anarchy has good news for video editors: a new feature added to its Transcriptive software offers a new Prepaid Minutes option for Adobe Premiere Pro editors, reducing costs by...
February 28, 2020, 10:36 AM
https://www.provideocoalition.com/super-slow-motio...
We’re back at it again: using machine learning to do cool stuff with video. This week it’s extreme slow motion, something difficult for conventional optical flow retiming tools to pull...
February 27, 2020, 07:08 PM
https://www.aotg.com/seth-worley-and-red-giants-film-darker-colors/
From the director that brought you hits like “Old/New” and “Plot Device” comes a supernatural horror film for the whole family in “Darker Colors,” now out on YouTube
#vfx#red giant#darker colorsFebruary 27, 2020, 02:57 PM
https://www.youtube.com/watch?v=6EMG_BSXA78
Frame.io's Michael Cioni talks about how the company's cloud collaboration platform was used on the HPA Tech Retreat Super Session film, The Lost Lederhosen.
February 27, 2020, 02:57 PM
https://postperspective.com/behind-the-title-dell-...
This veteran editor started his career at LA’s Rock Paper Scissors, where he spent four years learning the craft from editors such as Bee Ottinger and Angus Wall. After freelancing at Lost Planet, Spot Welders and Nomad, he held staff positions at Cosmo Street, Harpo Films and Beast Editorial before opening Foundation Editorial his own post boutique in Austin. Continue reading → February 25, 2020 The post Behind the Title: Dell Blue lead editor Jason Uson appeared first on postPerspective.
February 27, 2020, 02:57 PM
https://postperspective.com/senior-colorist-tony-d...
Burbank’s Picture Shop has beefed up its staff with senior colorist Tony D’Amore, who will also serve as a director of creative workflow. In that role, he will oversee a team focusing on color prep and workflow efficiency. Originally from rural Illinois, D’Amore made the leap to the West Coast to pursue an education, Continue reading → February 26, 2020 The post Senior colorist Tony D’Amore joins Picture Shop appeared first on postPerspective.
February 27, 2020, 02:57 PM
https://postperspective.com/ilms-virtual-productio...
To bring The Mandalorian to life, Industrial Light & Magic (ILM) and Epic Games — along with production technology partners Fuse, Lux Machina, Profile Studios, Nvidia and ARRI — have introduced a new way to shoot VFX-heavy projects in collaboration with Jon Favreau’s Golem Creations. The new virtual production workflow allows filmmakers to capture a significant amount of complex visual effects shots in-camera using realtime game engine technology (Epic’s Unreal Engine) and LED scree...
February 27, 2020, 02:56 PM
https://www.redsharknews.com/technology/item/7018-...
The marathon to achieve the promise of quantum computers has edged a few steps forward as Intel unveils a new chip capable, it believes, of accelerating the process. Intel Horse Ridgequantum computingQuantum computersqubitsIntel Tangle Lake
February 27, 2020, 02:56 PM
https://www.fcp.co/final-cut-pro/articles/2245-how...
If you've spent any time in Final Cut Pro X discussion forums, then you've probably run across posts by Tangier Clarke, a film editor based in Los Angeles. Clarke was an early convert to FCPX and recently handled the post-production finishing for the film, Jezebel. I was intrigued by the fact that Jezebel was picked up by Netflix, a streaming platform that has been driving many modern technical standards. This was a good springboard to chat with Clarke and see how FCPX fared as the editing...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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