It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 24, 2020, 10:49 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
If there’s a pithy phrase that can be applied to title designer Nina Saxon’s career perhaps it’s Always be hustling.As Part One of our career retrospective discusses, Saxon started out as a visual effects artist on Star Wars (1977) and then spent the ’80s in a state of near-constant hustle, launching what was to become a 40-year career as a designer of memorable film and TV title sequences. With iconic work for box office hits Romancing the Stone (1984) and Back to the Future (1985),...
February 23, 2020, 03:13 PM
https://lesterbanks.com/2020/02/how-to-draw-lines-...
Ilir Beqiri shows how you can draw lines on the screen using Xpresso and Thinking Particles in C4D. A new tutorial, the first in a series, from Ilir Beqiri that will cover ways for drawing
February 23, 2020, 03:13 PM
https://lesterbanks.com/2020/02/how-to-use-pastich...
The Motion Boutique shows how to create a flock of birds in Ae for an animated reveal. There are a few ways that you can create a flocking simulation or animation in Adobe After Effects.
February 22, 2020, 04:05 PM
http://www.postmagazine.com/Press-Center/Daily-New...
AUSTIN, TX — Dell Blue (dellblue.com) the internal creative agency for Dell, recently created ad campaigns to support three new product launches. The new OptiPlex 7071 Tower is a premium business desktop designed for maximum VR performance in a sleek, compact design. The OptiPlex 7070 is a new form factor providing a fully modular desktop experience. And the 5300/5400 Dell Latitude 2-in-1 is equipped with Chrome Enterprise OS. Dell Blue partnered with The Mill in LA to produce the CG spots...
February 22, 2020, 04:05 PM
https://lesterbanks.com/2020/02/maya-pivot-tricks-...
Stephen Mann covers altering Maya’s Pivot and runs through some pivot tricks showing what’s happening under the hood. One handy thing to do when working in Maya is moving around the pivot. It’s helpful in
February 22, 2020, 04:05 PM
https://lesterbanks.com/2020/02/how-to-illuminate-...
Clayton Walker shows how you can illuminate the sky in After Effects using 3D layers and lights. Adding little details to a composite makes a huge difference. As an example, having the sky light up
February 22, 2020, 04:05 PM
https://www.redsharknews.com/post/item/7009-red-gi...
Red Giant Universe is a subscription-based suite of plugins for video editors and filmmakers, which includes motion graphics, image stylizer effects, transitions, text generators, and more. It’s all GPU-accelerated, and supports a host of NLEs and Motion Graphics programs. Red Giant has released Universe 3.2, which comes with five new tools, an updated one, and 100+ presets to help enhance video and film projects further. Let’s dive in. Red Giant Universe 32VFXGFXSFXSpecial effectspos...
February 22, 2020, 04:04 PM
http://www.fcp.co/final-cut-pro/news/2241-use-fals...
Pro Color Monitor is a new standalone app that allows an editor to use false colour in a video or photo editing application. The false colour shows which way the color correction controls should be adjusted to remove casts for a perfect white balance.
February 22, 2020, 04:04 PM
http://www.fcp.co/final-cut-pro/news/2242-ios-vide...
Popular iOS editing app LumaFusion from Luma Touch has added FCPX XML export, which means projects can be transferred to Final Cut Pro X in seconds.
February 22, 2020, 04:04 PM
http://www.fcp.co/final-cut-pro/articles/2243-fina...
The real growth in production today is not at Hollywood studios or the creation of new broadcast channels, it's online. Digital studio Kin publishes hundreds of videos yearly. With over 5M followers and 15 million monthly views, Final Cut Pro X is the NLE that's allowed them to achieve such a prolific output.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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