It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 13, 2011, 09:09 AM
http://www.postmagazine.com/Video-Center/IBC/IBC-2...
AJA's Nick Rashby shows off several new products, including a mini converter and a Thunderbolt product.
September 13, 2011, 09:08 AM
http://www.digitalproductionbuzz.com/2011/09/12/av...
Avid announced new additions to expand the open EUCON ecosystem of supported media applications – Avid's open, high-speed Ethernet control protocol that allows EUCON-enabled Avid control surfaces and consoles to connect to a variety of third-party creative audio and video software solutions – providing customers with more creative options in their audio and video workflows in support of open, interoperable platforms.
September 13, 2011, 09:07 AM
http://www.postmagazine.com/Video-Center/IBC/IBC-2...
Post's Randi Altman meets up with Avid's Angus Mackay, who details some of the company's partner news.
September 12, 2011, 04:28 PM
http://feedproxy.google.com/~r/FinalCutWhiz/~3/4Gr...
Have you ever wanted one part of your shot in color and everything else in black and white? Well, it's really simple and easy to do in Final Cut Pro X. FCPeffects.com explains how simple it is using FCPX's color correction tool in the tutorial below: You can read more about selective color saturation on...
September 12, 2011, 04:28 PM
http://www.tejbabra.com/index.php/news/avid-announ...
In a tremendous move, due to the response from the professional editing community for its current Final Cut Pro Crossgrade promotion, Avid announced today that beginning October 1, 2011, it will offer a Final Cut Pro crossgrade price for qualified customers on an ongoing basis. The new crossgrade will allow Final Cut Pro users to purchase the Avid Media Composer...
September 12, 2011, 04:27 PM
https://www.editorsguild.com/FromTheGuild.cfm?From...
The nominees for the 2011 HPA Awards were announced today by the Hollywood Post Alliance. The awards recognize the achievements of those individuals who work behind the scenes, with ingenuity and creativity, to create motion pictures, commercials and television programming.
September 12, 2011, 04:27 PM
http://community.avid.com/blogs/buzz/archive/2011/...
Breaking news from the show floor this morning at IBC 2011: Due to the tremendous response for our current Final Cut Pro Crossgrade promotion, today we're pleased to introduce that beginning October 1, 2011, we'll be offering a Final Cut Pro crossgrade price for qualified customers on an ongoing basis. The new crossgrade will allow Final Cut Pro users to purchase Media Composer...
September 12, 2011, 04:26 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
The editors who put together ABC's Dancing with the Stars each week readily concede that they have a massive job on their hands. Indeed, the seven offline editors who cut reams of story packages together that get rolled into two different types of live DWTS broadcasts each week—a performance show and a results show—use terms like...
September 12, 2011, 04:25 PM
http://www.videomaker.com/article/15127/
Here's a fact that everyone can agree on: losing data stinks. Without a good storage solution, however, video editors constantly find themselves playing a digital version of Jenga - one wrong click and all of a project's data comes falling down.
September 12, 2011, 04:24 PM
http://www.studiodaily.com/main/news/prc/13450.htm...
CAMERON | PACE Group, the global leader in 3D technology, and Grass Valley, the premiere video technology solutions company, have formed a strategic alliance to accelerate the broadcast industry's transformation to 3D stereoscopic production.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.