To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

FCP X’s 2nd monitor should be 1920x1200

August 15, 2011, 03:54 PM

http://provideocoalition.com/index.php/atepper/sto...

While the jury is still out as to whether we can actually trust a calibrated Rec.709 or sRGB monitor connected directly to a Mac for critical gamma and color evaluation for grading from Final Cut Pro X (the way we can do conditionally as explained in my other articles with Adobe Premiere Pro CS5 and 5.5)...

Time ramping in Final Cut Pro X

August 15, 2011, 03:52 PM

http://www.danmccomb.com/posts/1225/retiming-in-fi...

Time ramping. It’s been on my to-do list of "things to learn how to do in Final Cut" but never had time to face the fat tutorial. So this afternoon I thought I'd give it a shot in Final Cut Pro X, sans tutorial.

Two free FCPX effects to download

August 15, 2011, 09:31 AM

http://www.fcp.co/final-cut-pro/news/520-two-free-...

Digital Heaven are no strangers to writing software for Final Cut Pro. This is their first offering for FCPX, two free effects, a grid generator and a safe title area generator.

Premiere Pro: Matching Cameras

August 15, 2011, 09:30 AM

http://library.creativecow.net/devis_andrew/Premie...

In this tutorial, Andrew Devis shows one approach to matching footage from different cameras. Sometimes, as editors, we receive footage from our clients that is from different cameras which may not have been set up in the same way. This can lead to a jarring effect when viewing the footage back as you switch between cameras which can distract your audience - a very big foe-par! But, matching cameras can be a difficult and frustrating process.

FCP tip: Making, saving and using favorites

August 15, 2011, 09:28 AM

http://www.fcp.co/final-cut-pro/tutorials/519-fina...

Although we think there now might be more copies of FCPX out there than FCP1-7, 'Classic Final Cut' is still being used by many editors, so we're glad new tutorials are still being made. This one's about favorites.

FCP X road blocks

August 15, 2011, 09:25 AM

http://digitalfilms.wordpress.com/2011/08/14/fcp-x...

Final Cut editors have lamented big time about the missing features in Final Cut Pro X. For instance – no VTR i/o except over FireWire – and no broadcast video monitoring output. I agree that those are important issues, but they don’t necessarily hold me back from using the application. It's the less obvious things that are related to the inherent design, which I find hard to accept.

ShapeShifter AE - a next generation 3D plugin

August 15, 2011, 09:24 AM

http://library.creativecow.net/jelescu_tudor/Shape...

Imagine creating a 3D title in AE, checking out a few variations of depth and bevels how long would that take you? Now imagine the client wants to check out 10-15 fonts and about as many animation options, all in 3D, with reflection mapping and, cherry on the cake, maybe, possibly a change of focus along the titles how long would that take? Tudor "Ted" Jelescu tells us that with Shapeshifter AE, all of this and more may be done "on the fly". Read on to find out what else this plugin can do.

What the Font?

August 15, 2011, 09:22 AM

http://library.creativecow.net/mcauliffe_kevin/The...

In this economy, you need to get the absolute best value for your dollar, and as the expression goes, sometimes you get what you pay for...but not in this case. What The Font? is a free web and iPhone resource to help you figure out what font someone is using in a video, print or any other medium, quickly, easily and free!

Adobe 3D tech beyond extrusions

August 14, 2011, 11:47 AM

http://provideocoalition.com/index.php/ryoung/stor...

fxguidetv 116 shares more details from the joint Adobe-NVIDIA research project demonstrating accelerated ray-traced 3D seen in NVIDIA Optix from Chris Meyer.

DGC TAE looking to get his foot in the door

August 14, 2011, 01:09 AM

https://www.aotg.com/dgc-tae-looking-to-get-his-foot-in-the-door/

Hello I'm a Trainee AE with the DGC out of Toronto and I am eager to start working. I am a hard worker and a fast learner. I would like a chance to prove my self. If there is anyone out there willing to take on a TAE, please email me. Thank you. Austin AustinHTitley@gmail.com

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