It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 26, 2018, 12:45 PM
http://postperspective.com/color-film-process-help...
By Karen Maierhofer Just as with episodic series, making the right color choices can greatly impact a film and its storytelling. While the look and mood of a project is set by the director and DP, colorists face creative decisions while delivering those desired results, even when nature or other factors prevent it from being captured on set. Continue reading → June 26, 2018 The post Color for Feature Films appeared first on Randi Altman's postPerspective.
June 26, 2018, 08:57 AM
http://postperspective.com/colorist-arianna-shinin...
Santa Monica-based color and finishing boutique Apache has added colorist Arianna Shining Star to its roster at this Santa Monica color and finishing boutique. She is the studio’s first woman colorist. Star’s commercial work includes spots and branded shorts for Apple, Nike, Porsche, Budweiser, Tommy Hilfiger, Spotify and Coca-Cola. Continue reading → June 26, 2018 The post Colorist Arianna Shining Star joins Apache appeared first on Randi Altman's postPerspective.
June 22, 2018, 06:44 AM
https://www.aotg.com/rgbworks-studio-builds-new-suites-with-resolve/
Blackmagic Design today announced that Guangzhou based RGBworks Studio, a postproduction company that specializes in color grading and was founded by veteran directors and colorists, has built its new high end color grading suites and training facility around Blackmagic Design’s DaVinci Resolve Studio software. RGBworks also installed dozens of DaVinci Resolve panels, including the DaVinci Resolve Advanced Panels, Mini Panel and Micro Panels, across the suites.
#blackmagic design#grading#davinci resolve#postJune 20, 2018, 07:20 AM
https://www.aotg.com/sigma-provides-education-through-lens-workshops/
Authorized U.S. Sigma dealers host hands-on workshops covering travel, portrait, editorial and urban photography with photo shoots at hotspot locations and guidance from established pros
#workshop#workshops#lens#sigma#sigma photo#sigma corp#dealer workshopsJune 19, 2018, 08:49 AM
https://www.aotg.com/sigma-ships-five-art-lenses-for-sony-e-mount/
Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced availability of five of its interchangeable Art prime lenses for Sony E-mount camera systems
#sony#sigma#sony e mount#sigma sony e mountJune 18, 2018, 12:05 PM
https://www.aotg.com/color-by-numbers-xavier-dolan/
Color by Numbers: Xavier Dolan
June 18, 2018, 08:31 AM
https://www.aotg.com/ashs-sharaab-music-video-uses-ursa-mini-p/
https://www.blackmagicdesign.com/media/release/20180618-01
#blackmagic design#davinci resolve#ursa mini pro#davinci resolve mini panelJune 11, 2018, 12:37 PM
https://nofilmschool.com/2018/06/balance-your-colo...
Chances are, if you're a colorist, you may have noticed an onslaught in software products that aim to eliminate the process of color balancing. It makes sense. The process is a tedious and time-consuming one, but more importantly, it's not exactly the most creative part of the job. With its line of color correction tools, X-Rite is clearly focused on getting colorists to their creative process sooner by combining two essential color management tools in one handy kit.
June 11, 2018, 06:22 AM
https://jonnyelwyn.co.uk/film-and-video-editing/ho...
Learn how to add optical flares to your edit and grade using a trio of paid apps for a professional polish.
#vfx#grading#lens flares#optical flares#real flaresJune 9, 2018, 09:12 AM
https://www.provideocoalition.com/ae-project-diary...
This is part 2 of my After Effects diary on the Xian project, and in it I’ll be looking at colour grading. If you missed part 1, I mentioned that the Xian project marked several milestones for me, and that I had been trying to cram so many different subjects together that it had taken me two years and four attempts just get to part 1 out. The mistake I had been making was to confuse two distinct topics – compositing and colour grading – which is interesting in hindsight, as the theme of th...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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