It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 27, 2011, 09:00 PM
http://blog.sorensonmedia.com/2011/07/sorenson-med...
We recently announced that Sorenson Media CEO Peter Csathy and Vice President of Video Solutions David Dudas participated in the TechAmerica Foundation CLOUD2 Commission, which today unveiled its highly anticipated cloud computing roadmap to the Obama Administration.
July 27, 2011, 09:00 PM
http://library.creativecow.net/harrington_richard/...
In this episode of Video Adrenaline for Photoshop and After Effects, Richard Harrington explores layer comps in Adobe Photo and then shows how easy it is to spit out multiple versions of your file to bring into Adobe After Effects.
July 27, 2011, 08:58 PM
http://www.digitalproductionbuzz.com/2011/07/27/di...
This week’s episode of the world’s only interactive talk radio program covering Digital Production, Post-Production and Distribution is filled with information and entertainment designed for the independent filmmaker or industry professional.
July 27, 2011, 03:22 PM
http://news.creativecow.net/story/866752
(Grass Valley, California--July 27, 2011) AJA Video Systems noted that its KONA 3 digital video I/O cards are being used by picture and visual effects editorial teams to streamline editorial processes and facilitate reviews on the 2012 feature film "John Carter".
July 27, 2011, 03:21 PM
http://www.eventdv.net/Articles/ReadArticle.aspx?A...
If you're an event videographer who uses Final Cut Pro 7, you've probably been pretty comfortable that you chose the right tool for the job. Final Cut Pro 7 is highly functional, flexible, and it has great third-party hardware and software support. Beyond notable feature gaps such as full-featured Blu-ray authoring, it pretty much does what that you need it to do.
July 27, 2011, 03:15 PM
http://splicenow.com/2011/07/27/copy-to-source-mon...
This won't be new for some of you, but it’s a hidden feature and I use it so often that I thought I'd make mention of it.Say you’re created a sound effect, or piece of music — anything you want to use again elsewhere. In other applications you'd Option-drag the clip in question, creating a copy...
July 27, 2011, 03:13 PM
http://provideocoalition.com/index.php/shullfish/s...
When astronauts had a problem out in space, you heard the familiar "Houston, we have a problem" radio call. With FCP X, the problem is in Cupertino. What if Steve Jobs was running NASA?
July 27, 2011, 03:10 PM
http://www.dv.com/article/109370
Will Pisnieski, VP of Post Production at leading LA-based production company Authentic Entertainment, will tell you creating quality reality content is not only an art form, but also having the right mix of post production tools is critical when capturing unscripted moments. That’s where CoreMelt, manufacturer of Lock & Load X and other high end visual effects plugins for Mac, comes in.
July 27, 2011, 03:10 PM
http://www.macvideo.tv/motion-graphics-vfx/feature...
As dazzling creative video and imagery has become increasingly mainstream and used by a wider range of industries outside of traditional media channels, so too has the pressure increased on creative teams to produce the highest standard of creative video projects. Increasingly, high-end Mac-based facilities across a variety of different...
July 27, 2011, 03:08 PM
http://www.studiodaily.com/main/news/13325.html
CrumplePop, a maker of broadcast and film effects plug-ins for Final Cut Pro, has updated two of its suites, Noir Moderne and Lumineaux, for Final Cut Pro X. The effects are also available for earlier versions of Final Cut, including versions 6 and 7. We are working on updates for the rest of our products, and these updates will be released in late summer 2011. All updates will be free to current users of CrumplePop effects.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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