It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 24, 2011, 11:43 AM
http://notesonvideo.blogspot.com/2011/07/love-hate...
This past Thursday evening was the first meeting of the Boston Final Cut Pro Users Group since the release of Final Cut Pro X. With that in mind, I was dying to see what Final Cut users thought about the whole thing.
July 23, 2011, 08:43 PM
https://www.aotg.com/nick-swinglehursts-presentation-on-film-edit/
Nick's practice run, with closer views of the presentation
July 23, 2011, 11:34 AM
http://community.avid.com/blogs/buzz/archive/2011/...
Glastonbury. The massively influential UK music festival's name alone evokes many images. Cutting edge bands. Throngs of fans braving the elements. Supermodels slogging through the mud backstage in wellies. Now add to that list - Media Composer 5.5!
July 23, 2011, 11:33 AM
http://www.dv.com/article/109236
Blackmagic Design has announced that they are now shipping DaVinci Resolve Lite, a new reduced feature version of DaVinci Resolve that includes many powerful color correction features in a downloadable software package.
July 23, 2011, 11:32 AM
http://news.creativecow.net/story/866732
(Milpitas, California--July 23, 2011) Blackmagic Design today announced the release of a public beta of DaVinci Resolve 8.0.1 with support for Mac OS X Lion and with a new 3 way color corrector.
July 23, 2011, 11:31 AM
http://www.studiodaily.com/main/news/13314.html
Lake Mary, FL, July 21, 2011 — Digital Juice announced today that it is releasing Collection 5 in its wildly successful library of ready2go Projects and Templates for Adobe After Effects.
July 22, 2011, 04:17 PM
http://editfest.com/?page_id=54
Come to see author and editor Bobbie O'Steen's panel at 2:30 pm, August 6th, at Universal Studios. Sally's colleagues and friends - Suzy Elmiger, Tatiana Riegel and Joan Sobel - will reminisce about the life's work of a master editor and run clips from such films as Pulp Fiction, Jackie Brown, All the Pretty Horses, Kill Bill, and Inglorious Basterds.
July 22, 2011, 04:11 PM
http://manhattaneditworkshop.blogspot.com/2011/07/...
Editor Harry Keramidas, A.C.E. talks about the famous skateboarding scene in "Back to the Future" and the art of filmmaking from storyboard to post-prodution. For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by Daniel...
July 22, 2011, 04:11 PM
http://www.digitalproductionbuzz.com/2011/07/22/aj...
FS2 builds on the success of AJA’s FS1 by adding dual channel features in a streamlined 1RU design at an unprecedented price point. Each FS2 video channel supports analog component or composite, 3G/HD/SD-SDI, Dual-Link and HDMI I/O, as well as Optical Fiber I/O options, and each channel has its own still-store, keyer, and video proc amp/color corrector.
July 22, 2011, 04:10 PM
http://www.studiodaily.com/main/news/13310.html
Still frustrated by the introduction of Final Cut Pro X? Baffled by the trackless timeline? Flummoxed by the lack of support for XML, EDLs and VTRs (not to mention OLEDs)? Irritated by the missing pro features? Evan Schechtman feels your pain.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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