To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Tough Cuts: Letting Go Of A Scene

July 14, 2011, 11:01 AM

http://feedproxy.google.com/~r/jaymckinnon/NZZT/~3...

IN OR OUT? I showed some footage of my short film, The Climb to my producing partner Eric the other day. The plan was simple. I was going to show him the new sequences I just locked and then go over the entire film scene by scene. What I failed to mention to him was...

Avid's Committed to the Professional event

July 14, 2011, 10:56 AM

http://provideocoalition.com/index.php/ssimmons/st...

On Wednesday evening Avid held its Committed to the Professional event on the Warner Brothers Studio lot in Burbank California. The event was announced just over a week ago in a blog post by Avid's CEO.

Read my article about the fascinating world of the

July 14, 2011, 10:53 AM

http://www.bobbieosteen.com/2011/07/read-my-articl...

he accomplishments of an editor can be both mysterious and underappreciated, and nowhere is this more evident than among the editors at Pixar Studios. I discovered their special role in the animation process when I visited Ken Schretzmann at Pixar shortly after he won an Eddie for Best Edited Feature Film in Animation for Toy

Stereo 3D Toolkit, a new script for AE

July 14, 2011, 10:51 AM

http://provideocoalition.com/index.php/ryoung/stor...

Ryan Cashman and AE scripts have released a new script for After Effects, Stereo 3D Toolkit, a set of tools that help you create complex stereoscopic compositions. The Stereo 3D Toolkit "uses true left and right channels (instead of collapse transformations) so it is compatible with all 3D effects and plug-ins that use composition cameras."

Contour Design Releases New Shuttle Settings

July 14, 2011, 10:48 AM

http://www.digitalproductionbuzz.com/2011/07/13/co...

Contour Design, a market leader in multimedia control surfaces, has released new optimized ShuttlePRO v2 and ShuttleXpress settings for Apple Final Cut Pro X, Apple Motion v5, Adobe Creative Suite 5.5, and Avid Media Composer v5.5. Supported Adobe CS5.5 applications include After Effects, Audition, Encore, Flash Professional Illustrator, Photoshop, and Premiere Pro for Macintosh as well as Windows.

Free 3D Ink Preset for Trapcode Particular

July 14, 2011, 10:48 AM

http://provideocoalition.com/index.php/ryoung/stor...

Greyscale Gorilla has a new Free 3D Ink Preset for Trapcode Particular that attempts to create realistic ink drops: "It's a hog to render, but it gives a pretty cool result. Also, if you change the random seed or the wiggle settings, you will get totally different ink drops every time."

XenData Partners with EVS to Support Media Archive

July 14, 2011, 10:46 AM

http://www.digitalproductionbuzz.com/2011/07/13/xe...

XenData, a provider of digital video archiving and storage solutions for the media and entertainment industry, announced a new partnership with EVS, the leader in professional digital video applications for live and studio TV production. Under the partnership, XenData’s range of digital video archive servers is now certified for use with EVS' Media Archive Director (MAD) and available for EVS to provide to its global customer base.

Apple's Shrinking Commitment

July 14, 2011, 10:45 AM

http://www.buttonpusher.tv/2011/07/13/apples-shrin...

Look at that – FCP Studio originally came in that big box in the upper right. It came with all those manuals in the upper left. The last iteration of FCP Studio came in that smaller box in the lower left, with a smallish book that contained mostly installation instructions.

Apple Motion Review

July 14, 2011, 10:44 AM

http://www.macworld.com/article/160958/2011/07/mot...

Somewhere between editing video and designing full-blown motion graphics, there are countless jobs that require making things move. It may be making titles, handling transitions, moving around video and imagery in two-dimensional and three-dimensional scenes, masking, compositing, or generally arranging assets for purposes of utility or eye candy.

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