To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

‘Ford v Ferrari’ Wins Oscar For Best Editing

February 10, 2020, 01:33 PM

https://deadline.com/2020/02/ford-v-ferrari-wins-o...

Ford v Ferrari racked up its second Oscar tonight by triumphing in the Film Editing field, with editors Michael McCusker and Andrew Buckland both celebrating a debut win.

The Rise Of The Single-Shot Movie In A Hyper-Edite

February 10, 2020, 01:33 PM

https://www.kalw.org/post/who-needs-high-tech-film...

The technical wonder of a movie, 1917, could win up to 10 Oscars on Sunday. Filmed to look like a single shot, its view is glued upon two soldiers racing behind enemy lines during the ravages of World War I. This is the second time in recent years that a one-shot film swept up Oscar nominations. Birdman won Best Picture, Best Director and Best Cinematography in 2015.

2020 Oscars Video Highlights: Speeches, Musical Pe

February 10, 2020, 01:32 PM

https://www.slashfilm.com/the-morning-watch-2020-o...

The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.

Working With Arnold Shaders and Lego Bricks

February 9, 2020, 03:26 PM

https://lesterbanks.com/2020/02/working-with-arnol...

Arvid Schneider shows how to create Arnold shader setups for Lego Brick models using in Maya. If you are getting into Arnold or need a refresher, this new tutorial from Arvid Schneider can help. Arvid’s

How to Create Outline Type in Ae Procedurally Usin

February 9, 2020, 03:25 PM

https://lesterbanks.com/2020/02/how-to-create-outl...

Ilir Beqiri shares a technique to outline type in After Effects using expressions. If you don’t have an outline in your font family, there are ways to create an outline type still. You can convert

Post house DigitalFilm Tree names Nancy Jundi COO

February 9, 2020, 03:25 PM

https://postperspective.com/post-house-digitalfilm...

DigitalFilm Tree (DFT) has named Nancy Jundi as chief operating officer. She brings a wealth of experience to her new role, after more than 20 years working with entertainment and technology companies. Jundi has been an outside consultant to DFT since 2014 and will now be based in DFT’s Los Angeles headquarters, Continue reading → February 6, 2020 The post Post house DigitalFilm Tree names Nancy Jundi COO appeared first on postPerspective.

Academy Award-Nominated Editor Jin-mo Yang Shares

February 8, 2020, 05:51 PM

https://www.premiumbeat.com/blog/parasite-editor-j...

Editor Jin-mo Yang shares with us why he still uses Final Cut Pro 7 and his approach to editing the multi-genre, Golden Globe-winning film Parasite.

Oscar Contender: Sound Mixing and Editing Once Upo

February 8, 2020, 05:51 PM

http://www.btlnews.com/awards/oscar-contender-soun...

For production sound mixer Mark Ulano, the journey he has taken on Quentin Tarantino’s films has been a decidedly unique experience, and Once Upon a Time in Hollywood was no exception. “He is very old school,” Ulano said about Tarantino, noting that the universe in which you operate on a film with this director is […] The post Oscar Contender: Sound Mixing and Editing Once Upon a Time in Hollywood appeared first on Below the Line.

Sundance 2020: Miss Juneteenth editor Courtney War

February 8, 2020, 05:51 PM

https://www.youtube.com/watch?v=KU_-kQVm6pk

#Sundance 2020 #Adobe #Blackmagic #Brady Betzel #editing Get to know the editors of the world renowned Sundance 2020 Film Festival in Editor to Editor with Brady Betzel. From what non-linear editor they used to how their own films have changed their lives personally, go behind the screen and discover what makes editors thrive in the famous Sundance 2020 festival circuit. ____ Courtney Ware is the Editor of "Miss Juneteenth" Built like a bird, Turquoise Jones is a single mom who...

Sundance 2020 - Editor of "Aggie" Gil Seltzer

February 8, 2020, 05:50 PM

https://www.youtube.com/watch?v=hqjCN8QMm7o

Get to know the editors of the world renowned Sundance 2020 Film Festival in Editor to Editor with Brady Betzel. From what non-linear editor they used to how their own films have changed their lives personally, go behind the screen and discover what makes editors thrive in the famous Sundance 2020 festival circuit. ____ Gil Seltzer is the Editor of "Aggie" "Aggie" synopsis from Sundance.org: Collector and philanthropologist Agnes “Aggie” Gund sounded a rallying cry that re...

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