To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Creative Agency Uses Ultimatte 12 for Virtual Sets

February 6, 2020, 04:55 PM

https://www.aotg.com/creative-agency-uses-ultimatte-12-for-virtual-sets/

Blackmagic Design today announced that ViSo Video Solutions has upgraded its virtual reality studios, relying on Ultimatte 12 compositing processors and URSA Broadcast cameras, to produce national television commercials and shows, for clients such as Sky Italia, Mediaset, ESL and Netco Sports.

#blackmagic design#davinci resolve studio#ultimatte
Free Epic Sound Effects for Film & Video Trailers

February 6, 2020, 02:22 PM

https://www.premiumbeat.com/blog/epic-free-sound-e...

Download this collection of high-quality free sound effects for your films and videos! We've curated this collection of free SFX to give your trailers MAXIMUM impact!

Recreating the Look of Oscar-Nominated Film “The

February 6, 2020, 02:22 PM

https://www.premiumbeat.com/blog/recreating-the-lo...

With the Academy Awards approaching, we decided to honor the Oscar-nominated film The Lighthouse by recreating a scene from the movie.

How Editor Kate Sanford, ACE Intercut to the Music

February 6, 2020, 02:22 PM

https://www.youtube.com/watch?v=F5yJMh6efms

From our 2019 Sight, Sound & Story Post Production Summit - Editor Kate Sanford ACE, discusses how she brought out the passion of the Fosse/Verdon cast by intercutting three scenes that were not originally planned to be intercut. Kate Sanford, ACE, is a feature film and television editor whose most recent project is the upcoming just released miniseries Fosse/Verdon. She recently completed the first two seasons of "The Marvelous Mrs. Maisel" and won the ACE award for best-edited comedy....

MPC launches episodic VFX division

February 6, 2020, 02:22 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON – Technicolor’s MPC (mpcfilm.com) has launched a new episodic visual effects division. The effort is a response to increased demand for content brought on by streaming platforms. MPC, which is known for its photoreal VFX and animation work, will now offer episodic directors and producers access to the studio’s technology and talent - the same talent behind a number of recent blockbusters, including The Lion King, 1917, Detective Pikachu and Godzilla: King of The Monsters.

ADOBE SHARED PROJECTS WORKSHOP – SA

February 6, 2020, 02:21 PM

https://www.screeneditors.com.au/adobe-shared-proj...

Adobe and the ASE Guild are proud to present an Adobe Premiere Pro ‘Shared Projects’ Workshop – focusing on long-form production collaborative workflow across multiple editors’ content from preparation to final compile. This is a hands-on BYOD (Bring Your Own Device) experience with limited access to powered table tops. Participants bringing a laptop MUST have Premiere […]

Talking with 1917’s Oscar-nominated sound editin

February 6, 2020, 02:21 PM

https://postperspective.com/talking-with-1917s-osc...

By Patrick Birk Sam Mendes’ 1917 tells the harrowing story of Lance Corporals Will Schofield and Tom Blake, following the two young British soldiers on their perilous trek across no man’s land to deliver lifesaving orders to the Second Battalion of the Devonshire Regiment. The story is based on accounts of the World War I by the director’s grandfather, Continue reading → February 4, 2020 The post Talking with 1917’s Oscar-nominated sound editing team appeared first on postPersp...

DejaEdit collaborative editing platform available

February 6, 2020, 02:21 PM

https://postperspective.com/dejaedit-collaborative...

DejaSoft has expanded the availability of its DejaEdit collaborative editing solution for Avid Media Composer, Avid Nexis and EditShare workflows. Already well-established in Scandinavia and parts of Europe, the software-defined network solution is now accessible across the UK, Europe, Latin America, Middle East, Asia, Africa, China and North America. DejaEdit allows editors to transfer media files and timelines automatically and securely around the world without having to be online continu...

Audio Noise Reduction in Final Cut Pro X with Klev

February 6, 2020, 02:20 PM

http://www.fcp.co/final-cut-pro/news/2238-audio-no...

When Mike Matzdorff writes to you saying you should check out a new piece of software, you know it is going to work well. He's been using an audio noise reduction plugin from Klevgrand called Brusfri

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