It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 31, 2011, 05:36 PM
http://www.philiphodgetts.com/2011/05/why-did-appl...
Last September, in m What should Apple do with Final Cut Pro article, one of the bullet points was: right in with 64 bit, all processors used and the use of the GPU. I immediately qualified myself:...
May 31, 2011, 05:34 PM
http://www.macvideo.tv/blogs/index.cfm?entryid=328...
Freelance life - famine or excessive feast. We're either busy beyond belief, or hunting around for new projects to bring in. I’ve enountered, many a time, in the midst of having taken on way too much work, a situation where to keep taking in work becomes extremely counter-production.
May 31, 2011, 05:29 PM
http://lfhd.net/2011/05/31/adobe-cs5-5-kicking-tir...
OK, if you have been following me for a while, you know that I use both Avid Media Composer and Final Cut Pro...and I am pretty proficient with both. If you haven't been following me for a while... I use both Avid Media Composer and Final Cut Pro, and am pretty proficient with both.
May 31, 2011, 05:23 PM
http://www.studiodaily.com/main/news/13203.html
Now shipping, MARI 1.3 is loaded with new features including: Displacement Preview, Ptex Per-Face Texture Mapping, Snapshots, Tiled Textures, and Environment Mapping. MARI 1.3 delivers on the aggressive development roadmap set for 2011 with further features to facilitate an artist friendly NUKE...
May 31, 2011, 05:22 PM
http://www.redgiantsoftware.com/blog/2011/05/31/on...
LA based Parris Patton's experience as a freelance director and editor spans more than two artistic decades. His artistry has been lent to the music industry with work for The Who and Prince (or was he the artist previously known as at the time?) to name just a few.
May 31, 2011, 05:20 PM
http://www.studiodaily.com/main/news/13201.html
Boston MA – May 24, 2011 – Boris FX, the leading developer of integrated effects technology for video and film, today announced Boris XML Transfer Version 3. Boris XML Transfer is an Adobe After Effects plug-in designed for seamless transfer of Avid Media Composer and Apple Final Cut Pro program sequences to Adobe After Effects. New to Version 3, the Avid to After Effects workflow allows for direct import and translation of Avid AAF format files.
May 31, 2011, 02:21 PM
http://blog.digitalcontentproducer.com/briefingroo...
Cinedeck EXTREME Showcases Seamless, Multi-Format Support, Direct-to-Edit Workflow Optimized for Filmmakers, Post Production Teams
May 31, 2011, 02:20 PM
http://www.macvideo.tv/editing/interviews/?article...
Bill Roberts. Director of Video Product Management at Adobe Systems, run through new features this upgrade brings to video professions. Bill also explains the debut asubscription-based pricing plan, available from USD85 per month, to customers that want to try the software, or use it on a project basis. New Subscription Editions ensure customers with active subscriptions are always working with the most up-to-date versions of the software, without the upfront cost of full pricing.
May 31, 2011, 01:13 PM
http://fcp.co/final-cut-pro/articles/392-on-the-ev...
Actually we are going to take a further look back with a webpage of every FCP version. This video from 2003 has some very interesting facts, figures and faces from 2003 to start it all off.
May 31, 2011, 01:10 PM
http://www.macvideo.tv/editing/news/?newsid=328280...
Training company Infinite Skills has released an app for the iPad that offers over 13 hours of professional training in Adobe Photoshop CS5.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.