To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Oscar Contender: Visual Effects Avengers: Endgame

January 30, 2020, 02:04 PM

http://www.btlnews.com/awards/oscar-contender-visu...

In undertaking a third Avengers film, Endgame, Marvel visual effects supervisor Dan DeLeeuw relied on his previous experiences at Marvel Studios. “The Marvel system is that they bring you in and get you immersed,” DeLeeuw stated. “I started on second unit on Iron Man 3 and learned the system. Then, [Avengers directors] Joe and Anthony […] The post Oscar Contender: Visual Effects Avengers: Endgame appeared first on Below the Line.

Industry Trends Retrospective: The Most Popular Ge

January 30, 2020, 02:04 PM

https://www.premiumbeat.com/blog/most-popular-gear...

Take a look at the most rented and purchased gear of 2019, and get a sneak peek at how the trends are looking like for 2020.

Andrew Weisblum habla sobre las ventajas de ir en

January 30, 2020, 02:03 PM

https://www.youtube.com/watch?v=xlSSlGErlf0

"Dentro de la sala de edición con Bobbie O'Steen", presentando a Andrew Weisblum (ACE) -- Parte 2. De la serie "Manhattan Edit Workshop presenta Inside the Cutting Room with Bobbie O'Steen", con la participación de Andrew Weisblum, ACE, el 21 de febrero de 2013. Andrew Weisblum, ACE es una película estadounidense y un editor de efectos visuales. Ha colaborado frecuentemente con los directores Darren Aronofsky y Wes Anderson. Weisblum fue nominado para un Premio Eddie del American...

SGO’s brand new Mistika Workflows now with impro

January 30, 2020, 02:03 PM

https://www.sgo.es/mwf-upgraded-open-beta/

SGO has released an upgraded Open Beta of its first media management, transcoding and delivery application Mistika Workflows. This latest version introduces a brand new and user-friendly License Activation Tool together with other additional nodes, features and stability improvements throughout the software. The totally revised License Activation Tool brings to its users straightforward license management [...]

56th Annual CAS Awards Winners

January 30, 2020, 02:03 PM

http://www.btlnews.com/awards/56th-annual-cas-awar...

The Cinema Audio Society Award for Outstanding Sound Mixing Motion Picture – Live Action was presented to the sound mixing team from Ford v Ferrari Steven A. Morrow CAS, Paul Massey CAS, David Giammarco CAS, Tyson Lozensky, David Betancourt, and Richard Duarte. Top honors for Motion Picture – Animated went to Toy Story 4 and the sound […] The post 56th Annual CAS Awards Winners appeared first on Below the Line.

Oscar Contender: Visual Effects The Lion King

January 30, 2020, 02:02 PM

http://www.btlnews.com/awards/contender-portfolios...

When visual effects supervisor Elliot Newman joined the team of The Lion King (2019), creating photorealistic hair for the numerous animals in the story was perhaps the most vital aspect of production. “It had been a year-and-a-half since Jungle Book, and, how do we do better?” Newman wondered about his previous film with The Lion King […] The post Oscar Contender: Visual Effects The Lion King appeared first on Below the Line.

MPSE Newly Elected President Mark Lanza

January 30, 2020, 02:02 PM

http://www.btlnews.com/featured/mpse-newly-elected...

The Motion Picture Sound Editors (MPSE) have elected Mark Lanza as president. Lanza is an award-winning supervising sound editor and currently serves as the organization’s treasurer. His two-year term as president begins in January. He succeeds Tom McCarthy. Also elected to the MPSE board are Steve Urban as secretary and Jeremy Gordon as treasurer. They […] The post MPSE Newly Elected President Mark Lanza appeared first on Below the Line.

Sundance: Scare Me editor Patrick Lawrence

January 30, 2020, 02:02 PM

http://www.postmagazine.com/Press-Center/Daily-New...

Scare Me is a new film by writer, director and actor Josh Ruben. The project premiered at Sundance on Friday, January 24th and represents Ruben’s feature directorial debut. The film takes place in the Catskill Mountains during a power outage, where two strangers - Fanny and Fred - tell a series of scary stories. The more they commit to their tales, the more the stories come to life in the dark of the cabin. 

Zack Arnold on Michael Kammes

January 30, 2020, 02:02 PM

https://www.youtube.com/watch?v=ShmqSsqh9c4

Zack Arnold (Editor: Cobra Kai, Empire, Shooter, Burn Notice) and why Michael Kammes is his go-to technologist) Check out http://michaelkammes.com and the tech web series http://5thingsseries.com . Social : @michaelkammes

Editor David Cea joins Chicago’s Optimus  

January 30, 2020, 02:01 PM

https://postperspective.com/editor-david-cea-joins...

Chicago-based production and post house Optimus has added editor David Cea to its roster. With 15 years of experience in New York and Chicago, Cea brings a varied portfolio of commercial editing experience to Optimus. Cea has cut spots for brands such as Bank of America, Chevrolet, Exxon, Jeep, Continue reading → January 29, 2020 The post Editor David Cea joins Chicago’s Optimus   appeared first on postPerspective.

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