To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Men In Black 3 - Compositing Shea Stadium

February 26, 2015, 07:50 PM

https://www.aotg.com/men-in-black-3-compositing-shea-stadium/

Men In Black 3 - Compositing Shea Stadium In Men in Black 3, Agents J (Will Smith) and K (Tommy Lee Jones) are back... in time. J has seen some inexplicable ...

KINGSMAN – THE SECRET SERVICE: Matt Kasmir

February 26, 2015, 10:26 AM

http://www.artofvfx.com/?p=11226

In 2014, Matt Kasmir explained to us about Nvizible‘s work on EDGE OF TOMORROW. He then worked on DRACULA UNTOLD and PADDINGTON. Today, he talks about his work on KINGSMAN – THE SECRET SERVICE.

ASICS “A Big World of Running”: VFX Breakdown

February 26, 2015, 10:23 AM

http://www.artofvfx.com/?p=11223

Nice VFX breakdown by MPC about this ASICS “A Big World of Running” commercial...

The History of the VFX Of Parting The Red Sea

February 26, 2015, 06:13 AM

https://www.aotg.com/the-history-of-the-vfx-of-parting-the-red-sea/

An interesting look into the development of visual effects over the years.

Corona Render passe en version 1.0

February 26, 2015, 06:11 AM

http://www.3dvf.com/actualite-12316-corona-render-...

The rendering engine Corona Render is available in version 1.0, a version dedicated to 3ds Max. The Render Editor Legion took the first finalized version to add many features and enhancements: interactive rendering, subsurface scattering, volume scatering, new.

City Destruction Tutorial!

February 26, 2015, 06:10 AM

https://www.aotg.com/city-destruction-tutorial/

Create Realistic City Destruction inside of After Effects!

Cube Showreel 2015

February 26, 2015, 06:10 AM

https://www.aotg.com/cube-showreel-2015/

This is "Cube Showreel 2015" by Cube Creative on Vimeo, the home for high quality videos and the people who love them.

NORTHMEN – A VIKING SAGA

February 25, 2015, 06:26 PM

http://www.artofvfx.com/?p=11191

The team of Day for Night composed by Frank Kaminski (Producer & VFX Supervisor), Marco Del Bianco (Producer & VFX Supervisor), Marwin Wanek (VFX Lead artist), Eva Wendler (VFX Producer) and Christoph Willerscheidt (VFX Artist) explains their work on NORTHMEN – A VIKING SAGA:

25 years of Photoshop

February 25, 2015, 02:11 PM

http://www.animationinsider.com/2015/02/25-years-o...

It all started from 1987 when the developer Thomas Knoll created a very simple pixel imaging program called Display. It was displaying gray scale photos on a black and white monitor. His brother John Knoll was supervisor at ILM (Industrial Light and Magic). The other digital artists were impressed at the post production facility of George Lucas with Display and eventually it was used into James Cameron‘s The Abyss. Later on Knoll brothers renamed it to Photoshop.

Variety Artisans: The Seamless Look of Birdman

February 25, 2015, 02:08 PM

https://www.aotg.com/variety-artisans-the-seamless-look-of-birdman/

On "Birdman," “Birdman,” director Alejandro Gonzales Innaritu and cinematographer Emmanuel “Chivo” Lubezki achieved something very unusual: A film that looks...

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