It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 22, 2017, 06:46 PM
https://nofilmschool.com/2017/11/shooting-edit-how...
We all know filmmaking takes a lot of planning and preparation, including coming up with a shot list to make principal photography less confusing. But even if you're a run-and-gun shooter who doesn't have a whole lot of time to carefully plan every shot before you shoot it, you can still not only keep your production on the right track but also get the shots you need to make your final edit more dynamic and entertaining. Jordy Vandeput of Cinecom shows you how in the video below.
November 22, 2017, 12:42 PM
http://postperspective.com/blade-runner-2049s-dyna...
By Jennifer Walden “This film has more dynamic range than any movie we’ve ever mixed,” explains re-recording mixer Doug Hemphill of the Blade Runner 2049 soundtrack. He and re-recording mixer Ron Bartlett worked with director Denis Villeneuve to make sure the audio matched the visual look of the film. Continue reading → November 22, 2017 The post Blade Runner 2049’s ‘dynamic’ and emotional mix appeared first on Randi Altman's postPerspective.
November 22, 2017, 12:42 PM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Folks – Don’t fall victim to Black Friday or Cyber Monday! Save your money… for just a little while longer. On Tuesday, December 5, 2017, we are having our Red Giant Year End Sale. We’re also giving away a TON OF PRIZES leading up to the sale. Here’s what you need to know: The post SALE: Our 40%-Off Sale is Coming Dec. 5! appeared first on Red Giant.
November 22, 2017, 12:41 PM
http://renderplease.com/post/167772448060
November 22, 2017, 09:29 AM
https://jonnyelwyn.co.uk/film-and-video-editing/th...
A quick round up of the best discounts, savings and coupon codes during Black Friday and Cyber Monday for post production professionals...
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