It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 15, 2015, 03:29 PM
https://www.aotg.com/how-to-create-cool-particle-vfx-in-adobe-ae/
Learn how to create awesome particle effects directly in Adobe After Effects!! In this tutorial I show you how you can use the inbuilt CC Particle World effe...
February 15, 2015, 11:07 AM
https://www.aotg.com/ae-tutorial-compositing-tips-and-tricks/
In this After Effects Tutorial I show you some compositing tips and trick...
February 13, 2015, 12:49 PM
http://www.studiodaily.com/2015/02/oscar-nominee-r...
In X-Men: Days of Future Past, the X-Men send Wolverine, our favorite superhero mutant, time-traveling from an awful future to a recent past to change human history—and that future. With an all-star cast, a built-in fan base, and a director, … more » The post Rising Sun VFX Supe Tim Crosbie on X-Men: Days of Future Past appeared first on Studio Daily.
February 13, 2015, 12:48 PM
http://www.artofvfx.com/?p=11038
Excellent new showreel by MPC featuring their work on GUARDIANS OF THE GALAXY, MALEFICENT, GODZILLA and many more...
February 13, 2015, 12:48 PM
https://www.aotg.com/vector-accents-after-effects-tutorial/
Vector shape accents, they've been done before, but hopefully you can learn something new from this tutorial, I do them a bit different then others, so its a...
February 13, 2015, 05:44 AM
http://www.cgchannel.com/2015/02/thinkbox-software...
Thinkbox Software has released Deadline 7, the latest version of its renderfarm-management software, adding built-in Virtual Machine Extension support, enabling users to “set up a pop-up cloud and compute on-demand”.
February 13, 2015, 05:41 AM
http://www.redsharknews.com/post/item/2364-oscar-n...
X-Men: Days of Future Past holds a very special distinction for its franchise: it is the first X-Men film nominated for the Academy Award in Best Visual Effects. Here we celebrate the film by sharing two illuminating and visually sumptuous VFX breakdowns. Oscars 2015Academy AwardsVisual EffectsVFXMPCDigital DomainRising Sun PicturesObjects, IncRichard StammersLou PecoraTim CrosbieCameron Waldbauer
February 12, 2015, 02:45 PM
http://www.studiodaily.com/2015/02/marvel-studios-...
In Captain America: The Winter Soldier the super WWII soldier Steve Rogers finds himself in a modern-day political thriller, a suspenseful visual-effects laden action-adventure that won praise from critics and Avengers fans alike. Rogers, aka Captain America, now works for … more » The post VFX Supe Dan DeLeeuw on Captain America: The Winter Soldier appeared first on Studio Daily.
February 12, 2015, 10:25 AM
http://nofilmschool.com/2015/01/damien-christian-d...
Director/editor/VFX specialist Damien Christian D'Amico got tired of kowtowing to his client's notes and decided to break out and make his own movie CARROT, premiering at the Hollywood Reel Independent Film Festival on February 17th. The result is a non-stop trip down the rabbit hole of perhaps the most cryptic of all subjects: creativity itself.
February 12, 2015, 05:42 AM
http://cinescopophilia.com/anomaly-vfx-reel/
A look into the global efforts of our Visual Effects that brought ANOMALY to life.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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