To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Robber Spot

August 31, 2010, 03:54 PM

http://postfifthpictures.com/2010/08/robbers-spot/

Here is a spot I just cut for a group in Salt Lake City. It was a fun piece to edit. There were 4 spots total. Nate Hoffman did the sound work on it. I think it turned out well.

FCPUG IBC SuperMeet Agenda announced

August 31, 2010, 03:51 PM

http://www.macvideo.tv/editing/news/?newsid=323748...

With IBC just around the corner, the FCPUG Network, including BOSFCPUG, LAFCPUG, UK, Germany, Hungary, Russia, Belgium, France and other FCPUG and digital video user groups around the Globe, will meet in Amsterdam on the Sunday night of IBC week.

The Perfect Match for the Perfect Cut

August 31, 2010, 11:55 AM

http://www.screeneditors.com/news_&_events/345.htm

This Ozdox session, co-sponsored by the Australian Screen Editors, will cover everything you ever wanted to know but were afraid to ask about the editor-director relationship. Discussion will be sought from directors in the audience and from a panel of editors up the front. And.... because editors never kiss and tell, the organisers will also read out anonymous tales of intrigue, salvation and magic – true adventures in editing never before revealed in public.

Rarevision 5DtoRGB vs MPEG Streamclip 4 transcode

August 31, 2010, 10:36 AM

http://provideocoalition.com/index.php/freshdv/sto...

There’s a new transcoding tool making the rounds on that newfangled Twitter thingy the kids are using these days, it’s called Rarevision 5DtoRGB. It’s a free app for Mac users that they claim offers a much higher quality conversion from H.264 DSLR raw footage to an editing codec (ProRes is a common choice, in one of several flavors and bitrates). Two blogs have done some comparison testing between this new tool and MPEG Streamclip...

Royalty-free H.264 may clear way for HTML5

August 31, 2010, 10:35 AM

http://www.macvideo.tv/encoding/news/?newsid=32373...

MPEG LA, the firm that controls licensing for a number of video and other standards, announced on Thursday that it will never charge any royalties for Internet video encoded using the H.264 standard that Apple favours, as long as that video is free to end-users.

Joy of Film Editing on The Emmy Winners

August 30, 2010, 09:05 PM

http://www.joyoffilmediting.com/?p=2995

Congratulations to all winners and nominees. And a big salute to all toil for the tube: assistant editors, editors, sound editors, visual effects editors, music editors, online editors, post supervisors, PAs, and post house personnel.

5DtoRGB is another 5D transcoding option

August 30, 2010, 11:02 AM

http://www.studiodaily.com/blog/?p=4042

We certainly have no shortage of ways to convert Canon DSLR H.264 footage into a more editable format for Final Cut Pro. There’s Compressor, MPEG Streamclip, Magic Bullet Grinder, the Canon Eos Movie Plug-in E1 as well as Cineform’s NeoScene. And that’s not even mentioning Final Cut Pro’s own conversion ability via Media Manager. There’s another option that’s been making the rounds of Twitter this weekend called 5DtoRGB.

Looking for assistant editor work – Get this

August 30, 2010, 10:58 AM

http://www.joyoffilmediting.com/?p=2987

My latest interviewee, assistant editor Rachelle Dang, clued me in a program that really helped her career: the A.C.E. internship program in LA for college grads. The editor who mentored her was Lori Jane Coleman. Now Lori has co-authored a book with A.C.E. editor Diana Friedberg, Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV.

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