It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 12, 2017, 07:39 AM
http://variety.com/2017/film/global/star-wars-carr...
With more than 40 films to his credit, spanning genres from comedy to suspense and sci-fi, Oscar-winning editor Paul Hirsch has much to offer in counsel to younger filmmakers as he visits Camerimage Film Festival for his award for “unique visual sensitivity.”
November 11, 2017, 02:01 PM
https://journaldunemonteuse.wordpress.com/2017/11/...
A chaque montage, sa méthodologie ! Première semaine d’un nouveau court-métrage de fiction, produit par NORTE et né sous une belle étoile (ARTE). Je suis encore étonnée d’explorer une nouvelle manière de travailler. Je crois que pas un film ne … Lire la suite →
November 11, 2017, 08:46 AM
http://www.thepoweredit.com/crazy-music-energy-and...
Today, we have not one but TWO Pro Tip How-To videos from Story Greenlight. I dare you to watch them and not have your edit skills jump up multiple notches. First: Cutting picture to the beat of your music is a powerful way to raise the energy in your edit. Here’s how to avoid the … Continue reading Crazy music energy, and crazy smooth picture edits →
November 10, 2017, 06:05 PM
http://www.digitalproductionbuzz.com/2017/11/trans...
HOST Larry Jordan GUESTS Michael Wohl, Author, The 360° Video Handbook Michele Yamazaki, VP Marketing, Toolfarm Matthew Celia, Creative Director, Light Sail VR Andy Cochrane, Director, The AV Club Chris Bobotis, Director of Immersive Video, Adobe Systems, Inc.… The post Transcript: Digital Production Buzz – November 9, 2017 appeared first on Digital Production BuZZ.
November 10, 2017, 06:04 PM
http://saeditores.org/Novedades/La-Academia-anunci...
La Academia de las Artes y Ciencias Cinematográficas de la Argentina dio a conocer las nominaciones a los Premios Sur 2017, que serán entregados en marzo del año próximo.En la categoría Mejor Montaje los nominados son...
November 10, 2017, 06:04 PM
http://postperspective.com/behind-titles-something...
NAME: Amy Theorin NAME: Kris Theorin NAME: Kurtis Theorin COMPANY: Something’s Awry Productions CAN YOU DESCRIBE YOUR COMPANY? We are a family owned production company that writes, Continue reading → November 10, 2017 The post Behind the Titles: Something’s Awry Productions appeared first on Randi Altman's postPerspective.
November 10, 2017, 01:37 PM
http://www.premierebro.com/weekinpr/week-in-premie...
PREMIERE PRO WEEK IN REVIEW: Stranger Things Mind Control Effect in Premiere Pro • SHOREBREAK Edited in Premiere Pro • Jarle's Presets 4.0 for Premiere Pro • Lots More FREE Premiere Pro Presets and Tutorials
November 10, 2017, 01:16 PM
http://renderplease.com/post/167343762085
Celebrating at the office like
November 10, 2017, 01:16 PM
http://www.studiodaily.com/2017/11/avids-mediacent...
Avid has entered an agreement with NHK that will see its MediaCentral platform, Media Composer software and Nexis storage systems drive 4K/UHD production workflow for the Japanese broadcaster. ”NHK, I think, is a precursor, especially with the Tokyo Olympics coming,” said Avid CEO Louis Hernandez in a conference call with investors yesterday. “All the broadcasters are […] The post Avid’s MediaCentral Platform Will Drive 4K Production at NHK appeared first on Studio Daily.
November 10, 2017, 10:41 AM
https://www.aotg.com/davinci-resolve-documents-robbie-williams-tour/
Blackmagic Design has today announced that the URSA Mini Pro and URSA Mini 4.6K, as well as DaVinci Resolve 14, have been used to capture and edit backstage moments as well as live performance highlights on Robbie Williams’ 2017 European tour.
#editing#color grading#post production#color correction
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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