It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 19, 2015, 01:45 AM
http://www.youtube.com/watch?v=gynid37cXH4
In this tutorial I show you how to create a 3D grid in After Effects without using any 3rd party plugins. Thanks for watching! Ruan www.tunnelviziontv.net
#vfx#after effects#tutorials#filmmakingJanuary 18, 2015, 10:31 AM
http://www.artofvfx.com/?p=10690
Here is the recap of my interviews of the week #3. So you won’t miss any of them.
January 18, 2015, 10:26 AM
http://www.redsharknews.com/production/item/2301-i...
The Grand Budapest Hotel proves that you don't need to rely on CGI to create a fantastic - or fantastical - look Grand Budapest HotelLookproductionColourCGI
January 17, 2015, 11:22 AM
http://www.cgmeetup.net/home/factory-vfx-showreel/
Clients include Columbia Pictures, Disney Pictures, New Line Cinema, Paramount Pictures, Universal Studios, and Warner Brothers Studio. Factory VFX’s main office is located in northern California with a satellite office in New Orleans, Louisiana.
January 17, 2015, 11:21 AM
http://www.artofvfx.com/?p=10683
BUF have released this nice VFX breakdown of their work on BLACK & WHITE – THE DAWN OF JUSTICE (Pi Zi Ying Xiong 2):
January 17, 2015, 11:13 AM
https://www.aotg.com/using-blend-modes-to-correct-overexposure-in-premi/
In this tutorial, learn how to use blend modes to correct overexposure in Premiere Pro. Watch the follow-up movies within this series at...
January 16, 2015, 02:24 PM
http://www.artofvfx.com/?p=10625
Simon Carr worked for nearly 20 years in visual effects. He worked in various studios around the world and on many projects. He oversaw the effects of films such as ROCK OF AGES, OBLIVION, STAR TREK: INTO THE DARKNESS or MONUMENTS MEN.
January 16, 2015, 02:19 PM
http://news.doddleme.com/equipment/how-does-the-vi...
For the visual effects industry, it’s been a tough couple of years. With the perfect storm of emerging digital technologies and overseas tax breaks have coupled to force many named FX hourses into bankruptcy, or to open their own satellite offices overseas, even with a non stop post production schedule, many visual effects artists are finding themselves overworked, under paid, or flat out out of work. How do they survive? Well, the old addage “evolve or die” is a large part of the equation...
January 16, 2015, 02:18 PM
https://www.aotg.com/3-backgrounds-in-after-effects/
Coming up with backgrounds in After Effects can be difficult at times, here are 3 different backgrounds to get your mind working. Lets see what you can come up with. have a favorite background you've made? post it in the comments below.
January 15, 2015, 10:28 AM
https://www.aotg.com/the-hobbit-the-battle-of-the-five-armies-crowd-si/
Weta Digital was behind the striking special effects in two of this year’s Oscar nominees: “Dawn of the Planet of the Apes” and “The Hobbit: The Battle of the Five Armies.” And while the latter was actually nominated for best sound editing as opposed to visual effects, that doesn’t diminish the impressive, large-scale battle sequences that Weta designed for the film.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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