To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The stopmotion making of Save Ralph

May 11, 2021, 09:01 AM

https://beforesandafters.com/2021/05/11/the-stop-m...

A behind the scenes video for the Humane Society International spot.

Episode 298 Zack Snyders JUSTICE LEAGUE

May 11, 2021, 09:01 AM

https://www.allanmckay.com/298/

Episode 298 -- Zack Snyder’s JUSTICE LEAGUE -- Scanline VFX When it comes to VFX Work, Bryan Hirota has seen a lot in his career, from his first

Issue 2 is now here

May 11, 2021, 09:01 AM

https://beforesandafters.com/2021/05/11/issue-2-is...

The latest print edition of befores & afters goes deep on wireframes, 3D scanning, and practical FX.

The Role of the VFX SupervisorManhattan Edit Wo

May 11, 2021, 08:55 AM

https://www.cgw.com/Press-Center/News/2021/The-Rol...

The Role of the VFX Supervisor—Manhattan Edit Workshop - CGW explores how leading-edge graphics techniques, including the 3D modeling, animation and visualization are used in such applications as CAD/CAM/CAE, architecture, scientific visualization, special effects, digital video, film, and interactive entertainment.

Mackevision VFX Animation Reel

May 10, 2021, 08:52 AM

https://www.artofvfx.com/mackevision-vfx-animation...

Let’s have a look at the animation work made by the teams of Mackevision on many shows such as Game of Thrones and Lost in Space...

Jake Braver The Stand VFX supervisor exclu

May 8, 2021, 12:09 PM

https://www.goldderby.com/feature/jake-braver-the-...

“It was like someone wrote an encyclopedia for the thing we were making,” notes visual effects supervisor Jake Braver of his work on “The Stand.” The Paramount+ limited series is based on the epic apocalyptic novel of good and evil by Stephen King. Braver was drawn to the project because of “the complexity of the characters and how rich the world was.” Braver used the novel as an essential tool in creating the visual language of “The Stand” (he is also a second unit director and ...

How Fake Crowds Are Made For Movies And TV

May 7, 2021, 08:52 AM

https://www.youtube.com/watch?v=hqIaPkTsGyA

Using completely real crowds in Hollywood productions can be a huge logistical challenge. That's why movies and TV shows have found many ways to make crowds ...

The Monk Studios VFX Showreel 2021

May 7, 2021, 08:52 AM

https://www.artofvfx.com/the-monk-studios-vfx-show...

Let’s have a look at the work made by the Bangkok based company The Monk Studios in their latest showreel such as The Yin Yang Master, Legend of the Ancient Sword and Skyfire...

VFX Supe Marion Spates Talks About the Visual Magi

May 7, 2021, 08:52 AM

https://www.animationmagazine.net/animated-people/...

Watching the dazzling visuals on display during the eight-episode run of the hit Marvel Studios/Disney+ series WandaVision was one of the VFX highlights of the past season. The team at Digital Domain delivered around 350 VFX shots for the show, which featured various homages to classic TV sitcoms and a spectacular battle of Super Witches, the first glimpse of Chaos Magic and a face-off between superhero Vision and his clone.

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