It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 13, 2021, 08:41 AM
https://deadline.com/2021/10/iatse-matt-loeb-tells...
IATSE and the AMPTP have concluded their fourth day of do-or-die bargaining and will resume negotiations for a new film and TV contract on Saturday. But if a deal is to be reached, and a strike averted, it will have to be made soon. “It’s a matter of days, not weeks,” IATSE president Matthew Loeb said tonight. Last weekend, the union’s members voted resoundingly (over 98%) in favor of granting him strike authorization if a deal can’t be reached.
October 13, 2021, 08:41 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
Editor Annette Davey is originally from Australia, but is now based in Los Angeles and New York, where she works in both television and film. She was most recently involved in the post production of Netflix’s Maid, starring Margaret Qualley, Nick Robinson and Andie Macdowell. Inspired by the New York Times best-selling memoir, “Maid: Hard Work, Low Pay, and a Mother’s Will to Survive” by Stephanie Land, Maid follows the story of Alex, a single mother, who turns to housecleaning to barel...
October 13, 2021, 08:40 AM
https://postperspective.com/quantum-intros-actives...
Quantum has introduced ActiveScale Cold Storage, a new class of storage that combines advanced object storage software with hyperscale tape technology to provide secure, durable and low-cost storage for archiving cold data. In addition, Quantum is offering a new line of fully managed Object Storage Services to bring the cloud experience to wherever data lives and accelerate digital transformation. Continue reading → October 11, 2021 The post Quantum Intros ActiveScale Cold Storage for Archivin...
October 13, 2021, 08:40 AM
https://postperspective.com/dune-director-denis-vi...
By Iain Blair Filmmaker Denis Villeneuve is well-versed in making ambitious and provocative sci-fi films, including Arrival and Blade Runner 2049. His latest is Dune, which is based on Frank Herbert’s novel of the same name, and Villenueve says it was “the most challenging and complex movie I’ve ever made.” Continue reading → October 11, 2021 The post Dune Director Denis Villeneuve Talks Post and VFX appeared first on postPerspective.
October 13, 2021, 08:40 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LONDON — Framestore (www.framestore.com), the Oscar-, Emmy- and BAFTA-winning creative studio, has appointed Michael Stein chief technology officer. His career spans VFX, games, animation and theme park rides, and has seen him deliver transformational tech solutions for many high-end projects. Stein’s new role with Framestore will see him drive the company’s global strategy, as well as guide its R&D advances across areas such as realtime, machine learning and cloud-based technology.
October 13, 2021, 08:40 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
GRASS VALLEY, CA – AJA Video Systems (aja.com) has taken a proactive equity stake in data analytics software developer Diskover Data and simultaneously launched AJA Diskover Media Edition. The new software is based on open-source roots and lets media and entertainment professionals easily search, find and analyze media asset data originating from on-premises, remote and cloud storage – aggregating associated metadata into a unified global index. The solution can help users make more informed...
October 13, 2021, 08:39 AM
https://deadline.com/2021/10/iatse-strike-picket-s...
IATSE is gearing up for a strike in Hollywood if contract talks with the AMPTP fail to produce a fair deal.
October 13, 2021, 08:39 AM
https://variety.com/2021/biz/news/iatse-strike-uk-...
As negotiations between the International Alliance of Theatrical Stage Employees (IATSE) and the Alliance of Motion Picture and Television Producers (AMPTP) resume this week, crews across the pond will be watching closely. Because while a film and high-end TV production boom in Britain has seen rates and opportunities blossom, it has also resulted in longer working hours, pressurized working conditions and an acute skills shortage.
October 13, 2021, 08:38 AM
https://creativevideotips.com/tutorials/the-secret...
Loudness Normalization in DaVinci Resolve 17 isn’t all that difficult and in order to make better and louder YouTube videos you’re going to want to learn these simple tips using the loudness meters with Blackmagic Design’s DaVinci Resolve Fairlight page to bring your levels up to -14 LUFs. This is the secret to mixing louder and more consistent volume videos for YouTube.YouTube Standard Loudness Spec -14 LUFsYouTube automatically turns your audio down if it’s too loud, but it won’t t...
October 13, 2021, 08:37 AM
https://postperspective.com/networking-for-post-pr...
By Mike McCarthy This is the second in a series of articles about computer networking for filmmaking and post production. Our last networking piece took a broad look at the different technologies available as well as bandwidth speeds that different formats and workflows might require. It this piece, we will take a closer look at the oldest and most popular networking option for achieving bandwidths greater than 1Gb per second. Continue reading → October 12, 2021 The post Networking for Post Pr...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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