To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Breaking Down the Role of the Video Editing Superv

November 18, 2019, 02:16 PM

https://www.premiumbeat.com/blog/what-is-video-edi...

We cover everything you need to know about the Video Editing Supervisor, how to work with one, and how you can become one.

ANTHEM "CONVICTION": VFX Breakdown by UPP

November 18, 2019, 02:16 PM

https://www.artofvfx.com/anthem-conviction-vfx-bre...

UPP presents their work on this really cool short film for ANTHEM...

The major VFX moments of Ford v Ferrari

November 18, 2019, 02:16 PM

https://beforesandafters.com/2019/11/18/the-major-...

I have to say that when I saw James Mangold’s Ford v Ferrari, I was so caught up in the story about car designer Carroll Shelby (Matt Damon) and driver Ken Miles (Christian Bale) and the orchestration of the race scenes that I barely thought about the visual effects work in the film at all.

Hardest shots to get right in Terminator: Dark Fat

November 18, 2019, 02:16 PM

https://beforesandafters.com/2019/11/18/qa-the-har...

As co-founder of Blur Studio, Deadpool and Terminator: Dark Fate director Tim Miller has an extensive visual effects and CG background.

Pixar on Life After John Lasseter: Quite a Bit Dif

November 18, 2019, 02:16 PM

https://www.indiewire.com/2019/11/pixar-life-after...

Among the wave of alleged sexual offenders whose behavior rose to the surface in fall 2017 was John Lasseter. It turned out the chief creative officer of Walt Disney Animation Studios and Pixar had a long history of misogynistic and toxic behavior toward his (mostly female) employees and by the following year, the company ousted him from his role under the guise of a resignation. His alleged behavior included a pattern of “grabbing, kissing, making comments about physical attributes,” and th...

La SAE entregará el Premio al Mejor Montaje en el

November 18, 2019, 02:15 PM

http://saeditores.org/Novedades/La-SAE-entregara-e...

El jurado, integrado por María Astrauskas (SAE), Flor Efron (SAE), y Gustavo Macri (SAE) otorgará el Premio al Mejor Montaje entre todos los largometrajes argentinos que participan en las secciones Competencia Argentina, Competencia Latinoamericana, Competencia Internacional y Competencia Estados Alterados.

Building a workstation - how do you choose what me

November 18, 2019, 02:15 PM

https://www.redsharknews.com/technology/item/6788-...

Who's afraid of building their own workstation? We continue our series on demystifying the process. This time we look at how to choose memory. rammemoryDIMM

How 'Parasite' Editor Yang Jin-mo Shaped the Film

November 17, 2019, 01:30 PM

https://filmschoolrejects.com/parasite-editor-yang...

Proclaiming that Parasite is one of the most impactful films of 2019 wouldn’t be a stretch at all. Bong Joon-ho’s latest is an immersive cinematic experience that resists philosophizing (even generic description) unless you’ve got hours to spare. An impeccable technical wonder that also happens to be deeply intuitive, it is Bong’s magnum opus — a film that neatly caps off a series of films including Snowpiercer and Okja which critically explore various notions of class

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