It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 7, 2019, 01:58 PM
https://postperspective.com/james-norris-joins-nom...
Nomad in London has added James Norris as editor and partner. A self-taught, natural editor, James started out running for the likes of Working Title, Partizan and Tomboy Films. He then moved to Whitehouse Post as an assistant where he refined his craft and rose through the ranks to become an editor. Over the past 15 years, Continue reading → November 5, 2019 The post James Norris joins Nomad in London as editor, partner appeared first on postPerspective.
November 7, 2019, 01:57 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
"Beauty is truth, truth beauty" wrote English poet John Keats in 1819. "That is all ye know on earth, and all ye need to know." For creative directors Hazel Baird and Heidi Berg, however, Keats's eternal chiasmus is incomplete; their truth is so much more. In their opening to Semi-Permanent Sydney 2019, Truth is a savior and a shadow, a creator and a cannibal, a phantasmagoria pieced together by a wide-ranging crew and bursting with darkness, colour, and inspiration. In 2018, wh...
November 7, 2019, 01:57 PM
https://cuttingroomtales.wordpress.com/2019/11/05/...
The Primacy of Emotion in Screenwriting ☛ Emotion is at the heart of every story. This statement won’t sound controversial if you write relationship dramas or rom-coms, but those of you who pen complex political thrillers or action movies will probably disagree. If you do, you’re wrong and I’ll tell you why. In a bit. […]
November 7, 2019, 01:57 PM
https://www.provideocoalition.com/lets-edit-with-m...
This tutorial, and the next bunch after it came from a very simple place. Someone posted on the Avid Editors of Facebook page about not understanding the proper workflow when... The post Let’s Edit with Media Composer – Dailies Workflows Part 1 – Working with Dailies from Assimilate Scratch appeared first on ProVideo Coalition.
November 7, 2019, 01:57 PM
https://www.provideocoalition.com/premiere-pro-and...
Canon announced that Premiere Pro and FCPX will now support H.265/XF-HEVC recording for the XF705 4K camcorder. Premiere is also compatible with the Canon EOS C500 Mark II RAW Light... The post Premiere Pro and Final Cut Pro X support for Canon XF705 and EOS C500 Mark II appeared first on ProVideo Coalition.
November 7, 2019, 01:57 PM
http://www.cgchannel.com/2019/11/foundry-closes-at...
Foundry has closed Athera, its cloud-based visual effects production platform, just 18 months after the service launched commercially.
November 7, 2019, 01:57 PM
https://www.displaydaily.com/article/press-release...
EIZO Corporation announced that its ColorEdge professional HDR monitors were used in the making of Terminator: Dark Fate, which hits theaters in November 2019. The film’s producer, Skydance Media, also produced the VFX for the film, relying on EIZO’s ColorEdge products to ensure consistency across their creation pipeline and that the filmmakers’ vision is what the audience would experience in theaters.
November 7, 2019, 01:56 PM
http://www.cgchannel.com/2019/11/ftrack-acquires-c...
Production tracking firm ftrack has acquired Cospective, developer of shot review tools cineSync and Frankie. No redundancies are expected, and the two companies will retain separate headquarters.
November 7, 2019, 01:56 PM
https://www.engadget.com/2019/11/07/adobe-experime...
Adobe has revealed a lot more experimental tools -- or "sneaks," as what the company calls it -- other than Project Awesome Audio at this year's MAX conference. One of them is Project All in, and it could be the answer to your woes if you're always the designated photographer or don't have a tripod and a camera with a timer. The tool, powered by the Adobe Sensei AI engine, can scan two photos, identify the missing person in one of them and then add a cutout of that person to the other photo.
November 7, 2019, 01:56 PM
https://roosterpost.wordpress.com/2019/11/06/giant...
When it premiered at TIFF in 2016, festival co-head Cameron Bailey wrote, “Giants of Africa flows among numerous stories and locales with a grace like that of the players on the screen“. Rooster Editor Dave De Carlo went on to win the Academy of Canadian Cinema & Television’s prestigious CSA award for “Best Editing […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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