To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Oliver Peters Interviews Steve Bayes

November 6, 2019, 01:40 PM

http://www.fcp.co/final-cut-pro/articles/2222-oliv...

We welcome Oliver Peters to FCP.co and his first post is a cracker! Oliver interviews Steve Bayes, who up until last year was the Final Cut Pro X product manager. They talk about the FCPX development process, squashing bugs, the now infamous launch, why ProRes was needed and of course the future of video production. A rare opportunity to get some historical background information about FCPX - Essential reading!

After Effects & Performance. Part 2: What After Ef

November 6, 2019, 01:40 PM

https://www.provideocoalition.com/after-effects-pe...

When discussing the history of After Effects and performance, there’s one single, critical, all encompassing factor that we have to begin with: what After Effects actually does.  Perhaps more significantly:... The post After Effects & Performance. Part 2: What After Effects actually does appeared first on ProVideo Coalition.

Art of the Cut Podcast Eps. 20 (w/ “Motherless B

November 6, 2019, 01:40 PM

https://www.provideocoalition.com/art-of-the-cut-p...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode,... The post Art of the Cut Podcast Eps. 20 (w/ “Motherless Brooklyn” Editor Joe Klotz, ACE) appeared first on ProVideo Coalition.

iZotope's Dialogue Match Is Cut-and-Paste for EQ,

November 5, 2019, 08:16 PM

https://www.studiodaily.com/2019/11/izotopes-dialo...

iZotope released Dialogue Match, a new software tool the company claims analyzes the "sonic character" of dialogue recordings to better match tracks captur

Adobe Announces New Tools

November 5, 2019, 08:16 PM

https://news.creativecow.net/story/898988

(San Jose, CA--November 4, 2019) Today at Adobe MAX, Adobe announced the latest release for Creative Cloud, empowering video professionals to work smarter, deliver faster, and do more creatively, including Auto Reframe in Premiere Pro, which previewed at IBC earlier this year. Available today, the new versions of Premiere Pro, After Effects, Character Animator, Audition, and Premiere Rush offer performance improvements and workflow refinements that empower you to work smarter, deliver faster, an...

Day 1 from Adobe MAX 2019

November 5, 2019, 08:16 PM

https://www.provideocoalition.com/day-1-adobe-max-...

Last year, I was invited to attend Adobe MAX and to say I was overwhelmed would be an understatement. You expect a conference and get a summer camp. As someone tasked with summarizing the event it becomes incredibly difficult to do everything available, as there are at least 3 talks going on at any given time. This year, thankfully, I feel much more prepared and as such will attempt to extract only the most relevant information for you while still conveying the true MAX experience, which I think...

DPA Nominated for Prestigious TEC Award

November 5, 2019, 07:19 PM

https://www.aotg.com/dpa-nominated-for-prestigious-tec-award/

DPA’s 6066 Subminiature Headset Mic Nominated for Prestigious TEC Award Company Recognized in the Microphones – Sound Reinforcement Category

#namm tec awards#dpa microphones
The End of the F***ing World Uses DaVinci Resolve

November 5, 2019, 06:18 PM

https://www.aotg.com/the-end-of-the-fing-world-uses-davinci-resolve/

Fremont, CA - November 5, 2019 - Blackmagic Design today announced that CHEAT has continued its expansion with DaVinci Resolve Studio, adding a new HDR ready grading suite as well as a research and development lab.

#blackmagic design#davinci resolve
Transcriptive 2.0 in Premiere Pro

November 5, 2019, 05:16 PM

https://www.provideocoalition.com/transcriptive-2-...

I’ve been a big fan of Digital Anarchy’s Transcriptive tool for transcription and working with text inside of Adobe Premiere Pro since the beginning. I did an extensive review of Transcriptive when it was released and while I loved the tool it was worth noting that it was mostly a sequence-based tool when it came to using Transcriptive to build your edit. Yes, you could send your transcription data to a master clip by exporting to clip markers or speech metadata but when it came to assemblin...

How To Make Metallic 3D Text in AE

November 5, 2019, 05:16 PM

https://jeffvlog.wordpress.com/2019/11/05/how-to-m...

While it has been possible for a while to get 3D text in After Effects thanks to Video Copilot’s Element 3D, it has been impossible to do it in After Effects without some sort of third-party support.

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