To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How NAB 2015 Showed Me The Future (I could see tod

April 19, 2015, 07:46 AM

http://www.taoofcolor.com/2373/how-nab-2015-showed...

You sit at a now-familiar table. Your waitress greets you by name and, without asking, brings you your favorite drink. She has the menu in her hand but doesn’t hand it to you, “The usual?”

5 Reasons to Get a Color Grading Control Surface

April 17, 2015, 06:33 PM

http://www.premiumbeat.com/blog/5-reasons-to-get-a...

A color grading control surface is an essential piece of gear for professional color correction. Here are five good reasons why. The post 5 Reasons to Get a Color Grading Control Surface appeared first on The Beat: A Blog by PremiumBeat.

SKYLAB Designs Color Workflow for Chappie

April 16, 2015, 08:45 PM

http://www.creativeplanetnetwork.com/news/post/sky...

Vancouver post house SKYLAB developed a custom workflow to integrate creative grading with editorial and visual effects for director Neill Blomkamp’s Chappie. Working with Vancouver visual effects studio Image Engine, the team created a feature finishing architecture that took advantage of FilmLight’s BLG file format, Baselight, and Academy Color Encoding System (ACES) technology.

Adobe Creative Cloud Color Takes Shape

April 16, 2015, 08:44 PM

http://www.videomaker.com/videonews/2015/04/adobe-...

The Creative Cloud community is spreading its branches out by developing communication between mobile apps and their desktop applications. The update during this year’s NAB focuses on color, and how you’ll get to apply it to your videos.

DaVinci Resolve Tutorial: Extreme Color Looks

April 15, 2015, 06:15 PM

http://www.premiumbeat.com/blog/davinci-resolve-tu...

Highly-stylized extreme color looks are easy to nail down through heavy color tinting. Achieve radical color grades with this DaVinci Resolve tutorial. The post DaVinci Resolve Tutorial: Extreme Color Looks appeared first on The Beat: A Blog by PremiumBeat.

NAB 2015: Colourful changes from Adobe

April 15, 2015, 06:11 PM

http://www.redsharknews.com/post/item/2521-nab-201...

Highlights from the latest round of Adobe releases include completely new colour workflows for video editors, a rather ingenious new mobile app that captures Looks for video and a whole lot more. AdobeAdobe Creative CloudAdobe Premiere ProAdobe After Effects

NAB 2015: Sony Beyond Definition Technology Demons

April 15, 2015, 06:10 PM

http://cinescopophilia.com/nab-2015-sony-beyond-de...

This live technology demonstration features pictures from an F65 camera de-mosaicked in real time and displayed live at 8K x 2K resolution. An amazing possibility for maximum impact at sports stadiums, museums and other points of information.

New at NAB: Get Vegas Lighting with Color Fixer Pr

April 15, 2015, 07:19 AM

http://www.videoguys.com/blog/new-at-nab-get-vegas...

One film that truly perfected Vegas lighting and all of sin city’s debauchery, is Terry Gilliam’s 1998 film Fear and Loathing in Las Vegas. Gilliam and cinematographer, Nicola Pecorini, chose to illuminate Fear and Loathing in hallucinatory neon colors to illustrate the effects of each drug the characters take. Overall the color play creates a Read More The post New at NAB: Get Vegas Lighting with Color Fixer Pro appeared first on Videoguys Blog.

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