It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 23, 2019, 01:07 PM
https://www.provideocoalition.com/lets-edit-with-m...
In this lesson Kevin P McAuliffe talks about working with Continuum 2019’s Lens Flare 3D inside of Avid Media Composer. When editors think of Lens Flares, they think of JJ Abrams type lens flares that are more stylistic than anything. Lens Flares do add a stylistic look to your footage, but they can also be... The post Let’s Edit with Media Composer – Working with Lens Flare 3D appeared first on ProVideo Coalition.
October 23, 2019, 01:06 PM
https://cgi.tutsplus.com/tutorials/understanding-3...
Understanding 3D Camera Tracking: Part 5
October 23, 2019, 01:06 PM
https://www.provideocoalition.com/art-of-the-cut-p...
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows... The post Art of the Cut Podcast Eps. 18 (w/ “Zombieland: Double Tap” Editors Chris Patterson & Dirk Westervelt, ACE) appeared first on ProVideo Coali...
October 23, 2019, 01:06 PM
https://www.provideocoalition.com/aotc-zombieland-...
Dirk Westervelt, ACE is an ACE Eddie nominee for his work on Deadpool 2. His filmography also includes Logan – which was a previous Art of the Cut interview – Run All Night, and Journey to the Center of the Earth. Chris Patterson has been associate editor on An Unfinished Life, Casanova, and Sunshine Cleaning... The post ART OF THE CUT on editing “Zombieland: Doubletap” appeared first on ProVideo Coalition.
October 22, 2019, 07:34 PM
https://beforesandafters.com/2019/10/23/like-youre...
At SIGGRAPH in LA this year, Epic Games was privately demo’ing ‘Apollo 11: Mission AR’ experience that was built for the Microsoft HoloLens 2 with Unreal Engine. I tried it out, and it really was incredible.
October 22, 2019, 07:07 PM
https://www.aotg.com/pond5-launches-marquee-for-creative-agencies/
A brand new wave of hand-curated, premium and exclusive video content has just arrived on the Pond5 marketplace.
#pond5#marquee#premium content#creative agenciesOctober 22, 2019, 04:32 PM
https://www.aotg.com/pliant-technologies-heads-to-samford-university/
Pliant Technologies CrewCom Heads to the Front of the Class for Samford University Theatre
#pliant technologies#crewcom#wireless intercom system#samford universityOctober 22, 2019, 04:10 PM
https://www.artofvfx.com/the-dark-crystal-age-of-r...
Sean Mathiesen has been working for nearly 30 years in visual effects and animation. He has worked in many studios including Weta Digital, Rising Sun Pictures, MPC and joined DNEG in 2016. He has worked on many projects such as the LORD OF THE RINGS trilogy, TERMINATOR SALVATION, MUPPETS MOST WANTED and BLACK MIRROR.
October 22, 2019, 04:10 PM
https://www.motionpictures.org/2019/10/how-jojo-ra...
The most startling visuals in Jojo Rabbit (which opened last Friday) takes the shape of writer-director Taika Waititi dressed up as Adolph Hitler, the imaginary best friend conjured by a German boy (Roman Griffin Davis) during the waning days of World War II. But while “Hitler” commands the foreground, VFX supervisor Jason Chen worked a more subtle brand of filmmaking magic by using digital tools to seamlessly build out Jojo’s world. Chen says, “The shots were filmed on actual ruins in t...
October 22, 2019, 02:19 PM
https://www.aotg.com/chimney-uses-resolve-on-the-dead-dont-die/
Blackmagic Design today announced that Chimney relied on DaVinci Resolve Studio to collaborate in real time across its New York, NY, and Gothenburg, Sweden, locations while delivering visual effects (VFX) for the hit zombie movie “The Dead Don’t Die.” The international post production company also used Fusion Studio for select VFX work on the film.
#blackmagic design#fusion studio#davinci resolve studio
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.