Summing up the State of NLEs in the Industry

July 17, 2017, 05:39 PM

http://www.fcp.co/final-cut-pro/articles/1983-summ...

Want to know more about the state of each of the NLEs in the industry? This forty minute panel discussion with some of the top industry commentators is well worth a watch. 

When I get a really small graphic to import into a

July 17, 2017, 05:39 PM

http://renderplease.com/post/163097619765

VR jobs at Apple: July 2017

July 17, 2017, 05:38 PM

http://alex4d.com/notes/item/vr-jobs-at-apple-july...

There are a number of positions available at Apple in July 2017 whose job descriptions mention VR: IMG CoreMedia VR Pipeline Engineer The Interactive Media Group (IMG) provides the media and graphics foundation across all of Apple's innovative products, including iPhone, AppleTV, Apple Watch, iPad, iPod, Macs as well as professional and consumer applications from Final Cut to iTunes and iWork. Strong coding skills in C with ARM on embedded platforms 2+ years experience developing an...

Create an Easy Animated Triptych in After Effects

July 17, 2017, 09:17 AM

http://lesterbanks.com/2017/07/create-easy-animate...

Ever wondered how you can create a transition for three scenes in Ae and have them all take up a third of the screen? It’s actually pretty easy, and it can be adapted to work The Post Create an Easy Animated Triptych in After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks

Color Fonts Coming to Illustrator CC

July 17, 2017, 09:17 AM

http://blogs.adobe.com/creativecloud/color-fonts-c...

We’ve heard from our users that there is a strong desire to add color font* support to Illustrator.  Well, we’re excited to let you know that we’re currently working on making it available in Illustrator! Technically known as OpenType-SVG fonts, this new feature means you will be able to design with whole new sets of fonts in Illustrator. Adobe’s CoreType team led the effort to develop and standardize the technology where fonts can have now have unique colors, patterns, and gradient...

Sigma Announces 14mm and 135mm T2 Prime Lenses

July 17, 2017, 08:07 AM

https://www.aotg.com/sigma-announces-14mm-and-135mm-t2-prime-lenses/

Full-frame sensor compatible, high-speed prime lenses bring Sigma’s esteemed Art lens technology to cinema cameras; the 14mm T2 FF and 135mm T2 FF begin shipping late July for a retail price of $4,999.00 USD each

Thought’s about Larry Jordan’s “Worries on t

July 17, 2017, 05:15 AM

http://www.philiphodgetts.com/2017/07/thoughts-abo...

Larry Jordon got on his (self described) soap box this morning with a thoughtful post about the future of editing in an AI infested world. I think we should all be aware of what’s happening, and I’ve certainly been trying to do my part there, as recent posts attest, but I’m not sure I’m quite […]

Paritarias de Largometraje 2017/2018 – SICA APMA

July 16, 2017, 12:31 PM

https://edaeditores.org/paritarias-de-largometraje...

Compartimos el comunicado del Sindicato de la Industria Cinematográfica Argentina, Animación, Publicidad y Medios Audiovisuales (SICA-APMA) con motivo del acuerdo paritario para salarios mínimos de largometraje. Estos mínimos actualizados para montajistas y asistentes de montaje pueden ser consultados en la sección Legislación de este sitio. Finalmente quedó acordada la recomposición salarial en un 30% para […]

Se realizó la charla “El montaje de cine en tre

July 16, 2017, 12:30 PM

https://edaeditores.org/se-realizo-la-charla-el-mo...

En el marco de FICSUR, Festival Internacional de Cine de los Países del Sur del Mundo, EDA organizó la charla “Entre Cortes. El montaje de cine en tres generaciones“. En la charla participaron Seba Polze (EDA), Germán Cantore (SAE) y Miguel Pérez (EDA/SAE), con la moderación de Verónica de Cata (EDA). El público pudo conocer más […]

William HOY, ACE, edits "War for the Plane of the

July 15, 2017, 02:53 PM

https://www.provideocoalition.com/AOTC-War-HOY

William Hoy, ACE got into the editor’s seat on feature films back in the mid-‘80s. One of his first major feature films was Dances With Wolves. Since then he’s edited a string of box office and critically acclaimed hit films: Star Trek VI: The Undiscovered Country, Patriot Games, Se7en, The Man in the Iron Mask, The Bone Collector, Dawn of the Dead, Fantastic Four, 300, Watchmen, and Dawn of the Planet of the Apes. Art of the Cut caught up with William recently to discuss his work on War f...