To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editing a NETFLIX ORIGINAL - A Crash Course

September 17, 2019, 04:41 PM

https://www.youtube.com/watch?v=LqC669sB14Y

Editor Lawrence Jordan, ACE masters the Netflix show Sextuplets. Compete in FilmSupply Edit Fest ($80K prize pool): https://thisguyedits.com/editfest Become an Assistant Editor with Master the Workflow (course): https://thisguyedits.com/mastertheworkflow Use Discount Code: TGE50OFF Lawrence Jordan, ACE is a veteran feature film and television editor who has worked with many of the top creatives at the world’s largest entertainment companies, including Time Warner, Sony, Fox, MGM, H...

Don’t Forget to Pack Your Editor

September 17, 2019, 04:39 PM

https://cuttingroomtales.wordpress.com/2019/09/10/...

Cutting on Location  ☛ I’ve written before about the advantages of cutting during the shoot, but on my last job – a lovely British feature called Me, Myself & Di – I went a step further and was cutting on location with the crew. I learnt some interesting things to share with you. To clarify, […]

An Overview of the Apple Hardware Ecosystem for Vi

September 17, 2019, 04:37 PM

http://www.fcp.co/final-cut-pro/articles/2210-an-o...

In this article, Sam Mestman looks at each Apple product that can shoot or edit, indicates its place for filmmaking and also tells us which models he recommends. If you re thinking of buying a new Mac, iPad or iPhone, this is for you!

4K's adopted in the home? This seminar told us eve

September 17, 2019, 04:37 PM

https://www.redsharknews.com/production/item/6649-...

Sony has been using the phrase “beyond definition” in promotional literature for a while, and it’s a very apposite slogan. We hardly need to say that...

THE DEAD DON'T DIE: VFX Breakdown

September 17, 2019, 04:37 PM

https://www.artofvfx.com/the-dead-dont-die-vfx-bre...

Interested about horde of zombies and exploding heads? The don’t miss the VFX Breakdown by Haymaker about their work on THE DEAD DON’T DIE...

Kelley Dixon, ACE on editing "The Goldfinch"

September 17, 2019, 12:33 PM

https://www.provideocoalition.com/art-of-the-cut-w...

Kelley Dixon, ACE began her career in in the early 90s assisting on movies like Reservoir Dogs, Leaving Normal and Good Will Hunting. She moved on to edit TV series like Luck, Shameless, Breaking Bad, The Walking Dead, Halt and Catch Fire and Better Call Saul, plus TV Pilots and TV movies.

Premiere Can Now Reframe Aspect Ratios Automatical

September 16, 2019, 09:26 PM

https://nofilmschool.com/adobe-autoreframe-creativ...

Today at IBC, Adobe announced that it was bringing in a new feature called Auto Reframe to Premiere Pro. Harnessing the power of machine learning through Adobe Sensei, the new feature will be able to automatically reframe and format your projects into a vast variety of aspect ratios, all with a simple drag and drop. The result is accelerating tedious manual tasks without sacrificing your creative control to automatic templates.

Trade Tattoo Effects for Final Cut Pro

September 16, 2019, 01:10 PM

https://fxfactory.com/blog/effects-2/trade-tattoo-...

Hypnotic halftone-based effects that help you simulate the look of printed posters or retro comics.

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