It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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https://www.dalet.com/news/new-dalet-cube-ng-bring...
Upgraded graphics platform features expanded digital graphics workflow and creation capabilities powered by leading Brainstorm real-time graphics engine, redesigned architecture and full news production integration
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https://www.youtube.com/watch?v=BjBLaAJpQmk
Homay Schmitz from Spitfire Audio demonstrates cinematic orchestral writing with Pro Tools and Albion One VISIT https://www.avid.com/en/applications-and-content/albion-one Follow Avid Pro Tools: https://facebook.com/avidprotools https://instagram.com/avid.protools https://twitter.com/avidprotools https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology
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https://www.provideocoalition.com/art-of-the-cut-w...
Sandra Adair, ACE, has a lengthy list of awards, starting with an ACE Eddie nomination for editing School of Rock (2004), and including an ACE Eddie win and an Oscar nomination for Boyhood (2014). Starting work as an assistant editor in the mid-70s, she graduated to the editor’s chair and also worked on features such... The post ART OF THE CUT with Oscar nominee, Sandra Adair, ACE appeared first on ProVideo Coalition.
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https://lesterbanks.com/2019/09/working-with-subst...
Five31 posts a look into working with Substance Alchemist and Redshift in C4D. Substance Alchemist is the next generation tool for material authoring using Substance. Alchemist lets you explore creating materials utilizing a variety of technologies to
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https://www.studiodaily.com/2019/09/cinesite-aveng...
Head back into the Marvel Cinematic Universe with this VFX breakdown where Cinesite reminds you just how much CG TLC went into the box-office juggernaut that was Avengers: Endgame. Credits: VFX Supervisor: Dan DeLeeuw VFX Producer: Jen Underdahl Associate VFX Supervisor: Mårten Larsson The post Cinesite Avengers: Endgame VFX Breakdown Reel appeared first on Studio Daily.
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You probably recognize the THX logo, but you absolutely recognize THX’s sound. The high-end audio company, known for putting its stamp of approval on everything from movie theater screens to headphones, developed its “Deep Note” audio trademark in 1982. It’s a computer-generated glissando, which smears together several octaves of pitches until, at the last moment, they find a harmony that kicks you in the gut. The Deep Note has become an unmistakable part of the movie-going experience—...
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After the creation of the cute Pawny, it’s the time to discover how the MEN IN BLACK – INTERNATIONAL bad guy, The Hive, has been done by VFX Supervisor Chris Waegner, Animation Supervisor Craig McPherson and their teams at Sony Pictures Imageworks...
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