To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Tiffen’s new DFX 4 standalone and plug-in packag

May 14, 2015, 09:27 AM

http://www.videoguys.com/blog/video-editing/tiffen...

In this review Red Shark’s Phil Rhodes takes a look at Tiffen’s DFX 4 filters. These filters can plug-into popular NLE’s such as FCPX, Adobe Premiere & Avid.  They allow you to mimic their popular line of optical filters in post production, complete with keyframing to control where, when and how the filters are applied. ReShark Read More

VÍDEO: Corrección de color en FCP X 10.2

May 13, 2015, 09:26 AM

http://www.finalcutpro.es/2015/05/video-correccion...

Hemos preparado este vídeo en el que desgranamos algunas técnicas útiles para corregir color en Final Cut Pro X, especialmente a partir de la versión 10.2, que incluye cambios significativos en la gestión de la corrección de color.  

RedShark Review: Tiffen DFX 4 digital filters

May 13, 2015, 04:55 AM

http://www.redsharknews.com/post/item/2581-redshar...

RedShark Technical Editor, Phil Rhodes, reviews Tiffen's new standalone and plug-in package of digital filters that mimics its popular line of optical filters. TiffenDFX 4optical filtersfiltrationdigital filtersReviewPromistSoft FXUltra Contrast

Helping color Kurt Cobain’s world for ‘Montage

May 12, 2015, 04:35 PM

http://postperspective.com/helping-color-kurt-coba...

Company 3’s Shane Harris works with director Bret Morgen on this new documentary Director Brett Morgen spent eight years putting together the documentary Kurt Cobain: Montage of Heck, which tells the fascinating and tragic story of the Nirvana front man in a very intimate way via never-before-heard recordings, animations based on his mostly unseen drawings. There are also very personal home movies and interviews Morgen did with the artist’s mother, band mates, friends and wife, Courtney...

Color Grading with Magic Bullet Looks

May 10, 2015, 07:54 AM

https://www.aotg.com/color-grading-with-magic-bullet-looks/

Color grading inside of Premiere using Magic Bullet Looks.

Hangtime 2 - Amazing Color Grading LUTs for GoPro

May 9, 2015, 01:52 PM

https://www.aotg.com/hangtime-2-amazing-color-grading-luts-for-gopro/

Hangtime 2 is a color grading LUT pack specially designed for Protune footage shot on GoPro action cameras.

Behind the Title: Colorist Jim Wicks

May 8, 2015, 01:29 PM

http://postperspective.com/behind-title-colorist-j...

NAME: Jim Wicks CAN YOU DESCRIBE YOUR COMPANY? Color correction and color grading services for motion pictures, television, web. WHAT’S YOUR JOB TITLE? Colorist WHAT DOES THAT ENTAIL? I help filmmakers tell stories by digitally altering colors, hue, luminance and more. WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? My friend, Gray Marshall, calls me the film whisperer. I am a bridge between the director or cinematographer’s vision and what the film wants t...

The State of Freelance Coloring Today

May 7, 2015, 09:34 AM

http://www.premiumbeat.com/blog/the-state-of-freel...

What issues and trends must be faced by professionals working in the ever-evolving field of freelance coloring?

Secondary colour correction in FCPX and animated t

May 6, 2015, 05:15 AM

http://www.fcp.co/final-cut-pro/tutorials/1659-sec...

Two new tutorials from the Ripple barn, secondary colour correction in Final Cut Pro X and how to build animated titles in DaVinci Resolve.

WYSIWYG LUT’s to play with

May 6, 2015, 05:12 AM

http://www.xdcam-user.com/2015/05/wysiwyg-luts-to-...

Here are a couple of high dynamic range WYSIWYG LUTs to play with. These are for the F5/F55/FS7. The camera should be set to SGamut3.cine/S-log3 and the EI should be set to the base EI (2000EI F5/F55 and 1250 EI on the F55).

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