To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Technicolor PostWorks John Crowley on color gradin

April 27, 2015, 04:19 PM

http://postperspective.com/technicolor-postworks-j...

By Randi Altman Just a couple of weeks ago, FX’s The Americans aired its third season finale, and it was a good one. Who would expect anything less? This drama follows a Russian husband and wife who are undercover in the DC area during the Cold War. They look American, sound American and have two kids, who truly are American. The show is shot in New York and gets its color grading from New York-based Technicolor PostWorks via colorist John Crowley, who works directly with the show’...

Color that’s a joy to drive?

April 24, 2015, 10:10 AM

http://www.taoofcolor.com/2436/color-thats-a-joy-t...

If you’ve never heard of Stu Maschwitz you’ve definitely heard of the products he helps design and sell, notably: Colorista and Magic Bullet Looks for Red Giant Software. Just before NAB 2015 he wrote a blog post about evaluating color correction software. Near the end he makes a comment that I’ve got a problem with...

What if Man of Steel was IN COLOR?

April 24, 2015, 04:46 AM

https://www.aotg.com/what-if-man-of-steel-was-in-color/

VideoLab attempts to turn back time and restore the natural color & brightness in shots from DC's Man of Steel. Turns out there was a beautiful Zack Snyder movie hiding underneath the bleak coloring.

Colorist Craig Leffel Joins Filmworkers

April 23, 2015, 09:46 AM

http://www.btlnews.com/crafts/post-production/colo...

Chicago-based Filmworkers announced that it has reached an agreement with veteran colorist Craig Leffel to represent him for color correction projects in the Midwest. Leffel will continue to serve as executive producer of Big Spoon Industries, the creative production studio he formed last fall, while handling color correction assignments through Filmworkers.

Get Better Results from the DaVinci Resolve Motion

April 23, 2015, 09:45 AM

http://www.premiumbeat.com/blog/get-better-results...

The DaVinci Resolve motion tracker is fast and simple to use. Let’s explore how to get the most out of this already amazing tool.

Color Grading with Alex Jordan: LUTs and Highlight

April 22, 2015, 12:47 PM

https://www.aotg.com/color-grading-with-alex-jordan-luts-and-highlight/

Join Alex Jordan and I for a conversation about LUTs and highlight rolloff, a couple of interesting topics in the context of color correction.

DaVinci Resolve 12 Tips and Demos

April 21, 2015, 02:38 AM

http://jonnyelwyn.co.uk/film-and-video-editing/dav...

Want to know what's new in DaVinci Resolve 12? Check out this extensive round up of the new features and hear from professional colorists on what they're most excited about...

#colour grading#free download#colorists#davinci resolve 12
NAB 2015

April 15, 2015, 06:10 PM

https://www.hurlbutvisuals.com/blog/2015/04/nab-20...

The Hurlbut Visuals team is on the floor at NAB 2015, and we wanted to give you a flavor of some of the exciting new products being introduced out here. We will have more news later in the week! Check out these interviews with Jeff Wood and Greg Staten from HP and Tina Eckman from Blackmagic Design. Keep up with NAB with our live stream here.

Get Vegas Lighting with Color Fixer Pro

April 14, 2015, 06:12 PM

http://tracking.feedpress.it/link/9766/760386

 “Bright light city gonna set my soul, Gonna set my soul on fire” Elvis presley sings as “Viva Las Vegas” plays while we walk around the showroom of the National Association of Broadcasters (NAB) show in Vegas.  Elvis’s words are certainly setting the mood. There’s so much magic in “Viva Las Vegas” and it all comes from the “neon flashin’” Vegas lights. Elvis has it right, lighting is everything, especially in film.

Robbie Carman tells stories with color

April 12, 2015, 09:13 AM

http://www.provideocoalition.com/robbie-carman-tel...

Robbie Carman is passionate about color and the power it brings to storytelling. So much so that he established a boutique company, Amigo Media, to focus solely on color correction. His single-mindedness paid off. Washington, D.C.-based Amigo Media has graded hundreds of hours of television, documentary, feature film and political programming. But people looking to glean ideas and information about color need not trek to Washington D.C. Carman gladly and enthusiastically shares his knowledge...

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