It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 10, 2015, 12:49 PM
http://wolfcrow.com/blog/a-look-at-the-new-color-g...
Clint Milby gives us an overview of the new color grading features in Adobe Premiere Pro...
April 9, 2015, 05:48 AM
http://blogs.adobe.com/movingcolors/2015/04/08/com...
This year at NAB 2015 we’re taking the wraps off some really exciting new tools and workflows for video pros, including a new mobile Look capture technology, a brand new Color workspace in Adobe Premiere Pro, and Creative Cloud Library support for Looks, so you can share Looks between Premiere Pro, After Effects, and Premiere Clip. And we haven’t forgotten SpeedGrade: the next release of our professional color grading application includes support for Lumetri Looks created in Premiere Pro...
April 8, 2015, 04:15 PM
http://blogs.adobe.com/movingcolors/2015/04/08/wha...
This year at NAB 20 we’re taking the wraps off some really exciting new tools and workflows for video pros, including a new Look capture app, a brand new Color workspace in Adobe Premiere Pro, Creative Cloud Library support for Looks, so you can share Looks between Premiere Pro, After Effects, and Premiere Clip, the mobile editing app. And we haven’t forgotten SpeedGrade either: the next release of our professional color grading application includes support for Lumetri Looks created ...
April 8, 2015, 04:44 AM
http://www.technicolor.com/en/who-we-are/press-new...
PARIS – April 8, 2015 – Technicolor (Euronext Paris: TCH; OTCQX: TCLRY) has entered into an exclusive agreement with Mediacontech to acquire Mikros Image, a French production and postproduction company, implanted in Paris (France) and Montreal (Canada).
April 8, 2015, 04:44 AM
http://www.hollywoodreporter.com/behind-screen/tec...
Technicolor is looking to grow its position in the feature animation world with the acquisition of VFX and animation production company Mikros Image. The company has entered into an agreement with Mediacontech, Mikros’ parent company, to acquire Mikros for $14.1 million (€13 million). The deal is expected to close during this quarter.
April 7, 2015, 12:42 PM
https://www.aotg.com/grade-like-pro-with-color-finale-in-fcpx/
Pro grading workflow with Color Finale in less than 5 minutes.
April 7, 2015, 03:41 AM
http://www.4kshooters.net/2015/04/07/blackmagic-da...
The latest update includes support for the flagship ARRI Alexa 65 and Panasonic V35 IDT cameras, new ACES 1.0 support, DNxHR MXF and Sony XAVC-Intra encoding
April 6, 2015, 09:29 AM
https://www.aotg.com/lily-in-the-grinder-before-after-color-and-vfx/
See the changes made in color correction and visual fx.
April 6, 2015, 09:29 AM
http://www.btlnews.com/crafts/post-production/film...
FilmLight will introduce the latest hardware configurations for its Baselight color grading system at NAB next week. Baselight ONE will now run on HP Z840 high-performance workstations. The move increases rendering and decode speed while retaining the desktop configuration.
April 1, 2015, 04:53 AM
https://www.youtube.com/watch?v=JMcRdjA_VYk
It is important to ensure colour consistency in your film. While setting your white balance in camera is good practice, a physical grey card provides a visual reference to getting a neutral colour balance in post.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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