It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 6, 2019, 05:46 AM
https://www.redsharknews.com/technology/item/6544-...
When it comes to colour grading, anyone who wants to work at the high-end has had a choice between monitors that are either expensive or really expensive. The software might be available for free or not far above it nowadays, but the kit you need to run it on and view the end results has been anything but for a long time.
August 6, 2019, 05:46 AM
https://directedbychuckjones.tumblr.com/post/18679...
The official Tumblr of Chuck Jones, the four-time Academy Award recipient and legendary animated film director and creator.
August 6, 2019, 05:45 AM
https://postperspective.com/an-artists-view-of-sig...
By Andy Brown While I’ve been lucky enough to visit NAB and IBC several times over the years, this was my first SIGGRAPH. Of course, there are similarities. There are lots of booths, lots of demos, lots of branded t-shirts, lots of pairs of black jeans and a lot of beards. Continue reading → August 5, 2019 The post An artist’s view of SIGGRAPH 2019 appeared first on postPerspective.
August 5, 2019, 12:15 PM
https://www.artofvfx.com/x-men-dark-phoenix-greg-b...
In 2015, Greg Butler told us about the work of MPC on AMERICAN SNIPER. He then worked on films like GOOSEBUMPS, THE FINEST HOURS, MONSTER TRUCKS and THE MUMMY.
August 5, 2019, 12:15 PM
http://www.cgw.com/Press-Center/Siggraph/2019/SIGG...
CHICAGO—The SIGGRAPH 2019 conference in downtown L.A. concluded with its highest attendance since 2013, boasting 18,700 global professionals in computer graphics and interactive techniques. This was the 46th annual SIGGRAPH.
August 5, 2019, 12:14 PM
https://lesterbanks.com/2019/08/how-to-use-vellum-...
Tim van Helsdingen shows how you can use Houdini Vellum to animate body fat for a 3D character. Adding realism to 3D characters includes a host of technical achievements in realistic lighting and shading. When
August 5, 2019, 12:14 PM
https://lesterbanks.com/2019/08/how-to-unfold-a-gl...
Athanasios Pozantzis show you how to create an icosahedron globe that you can print on paper and fold in real life. It must occur to everyone who learns UV techniques in 3D. Could it be
August 5, 2019, 12:14 PM
https://www.provideocoalition.com/after-effects-cl...
A couple of posts ago we were talking about using Colorama for tinting an image. If you are just trying to create a simple monochromatic color cast, you might view that as using a sledgehammer to open a sunflower seed. So let’s go to the opposite extreme and talk about one of the simplest color... The post After Effects Classic Course: Photo Filter appeared first on ProVideo Coalition.
August 5, 2019, 08:51 AM
https://www.youtube.com/watch?v=Sb7Jrlvo7_w
Jay Cooper was compositing supervisor and associate visual effects supervisor for ILM on Avengers: Endgame. Their VFX ranged from fix-its to time travel.
August 5, 2019, 08:51 AM
https://lesterbanks.com/2019/08/use-the-copy-tab-i...
Malcolm Andrieshyn shares more tips for Maya, including how to use Copy Tab. We’ve all seen the copy tab button at the bottom of the attribute editor in Maya. Hitting that button doesn’t seem very
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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