It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 19, 2015, 05:30 PM
http://nonlinearpost.com/davinci-resolve-performan...
DaVinci Resolve performance improvement in 3 steps As a TV and film editor, I knew I hadn’t truly lived until I discovered the creative benefits of color grading. Not everyone who chooses to become an editor dares to dive into this aspect of editing. However, with all the expensive hardware and software available to do this task, the easiest one to get started with today is DaVinci Resolve. But DaVinci Resolve performance can suffer once this free (lite version) software is […] The pos...
January 16, 2015, 02:21 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Soho-based studio The Look has purchased a second Quantel Pablo Rio 4K color and finishing system. The new Pablo Rio will operate alongside the facility's existing Pablo Rio 4K and Pablo systems to form the backbone of its long-form and trailer infrastructure.
January 13, 2015, 01:35 PM
http://www.premiumbeat.com/blog/isolated-color-loo...
The isolated color look is a unique color grading look used to great effect in movies like Pleasantville and Sin City. It involves keeping one or several colors intact while completely or partially desaturating the rest of the image. Let's jump into a one-color color in DaVinci Resolve. The post The Isolated Color Look in DaVinci Resolve appeared first on The Beat: A Blog by PremiumBeat.
January 12, 2015, 10:21 AM
http://blog.planet5d.com/2015/01/speedlooks-4-stud...
The frame grabs illustrating this article are my first round of tests so that my client and I can start narrowing down the looks we want. We will be shooting with just the one camera, my Panasonic GH4, but it will be under a variety of natural and enhanced lighting conditions indoors and outdoors. Once we have chosen a subset of looks from these examples, I will shoot more footage under that range of lighting for further refinements in my approach.
January 10, 2015, 09:07 AM
https://digitalfilms.wordpress.com/2015/01/10/colo...
Newer cameras offer the ability to record in log gamma profiles. Those manufactured by Sony, ARRI and Canon have become popular, and with them, so have a new class of color correction filters used by editors. Color look-up tables, known as LUTs, have long been used to convert one color space to another, but now […]
January 9, 2015, 12:27 PM
http://www.studiodaily.com/2015/01/need-color-corr...
Ever have trouble getting a client to understand the need for color-correction on even the simplest footage? AlphaDogs Founder and President Terence Curren explains the basics in a clip that color-corrects itself as you watch. The post Why Do We Need Color Correction? appeared first on Studio Daily.
January 8, 2015, 05:44 PM
http://postperspective.com/modern-video-colorist-t...
By Randi Altman Madam Secretary, which is in the middle of its first season on CBS, has been using LA-based Modern Videofilm for post services, specifically conform and color. Barry Goch performs the conform via Autodesk Flame 2015, recreating the creative edit with the highest resolution footage while ensuring the... The post Modern Video colorist talks color grading ‘Madam Secretary’ appeared first on postPerspective - Randi Altman's postPerspective.
January 8, 2015, 06:40 AM
http://www.sgo.es/2015/01/mistika-with-precision-i...
17 – 19 January 2015, from 10.00 – 17.00 Building No. 8, Gao Xi Dian, Beijing Chaoyang District, China Finishing & Colour Perfection in BeijingRead more...
January 7, 2015, 05:10 PM
http://cinescopophilia.com/pablo-rio-4k-6k-or-8k-w...
Quantel’s Pablo Rio is a software high quality color correction and finishing system that runs on high performance PC hardware. The new Pablo Rio 8K has three significant power-ups compared to the systems shipping today:
January 6, 2015, 05:53 PM
http://www.premiumbeat.com/blog/using-resolves-mul...
DaVinci Resolve has a little-known tool known as Split Screen which can be useful at various points in your color grading sessions. The post Color Grading: Using DaVinci Resolve’s Multiple Split Screens appeared first on The Beat: A Blog by PremiumBeat.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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