To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Westlife’s The Twenty Tour Uses Blackmagic Desig

July 30, 2019, 09:43 AM

https://www.provideocoalition.com/westlifes-the-tw...

Blackmagic Design equipment ranging from the URSA Mini Pro 4.6K digital film cameras and ATEM 4 M/E Broadcast Studio 4K were used as part of a live production workflow by The LED Shed on the UK and Ireland legs of Westlife’s The Twenty Tour. Opening at Belfast’s SSE Arena, the UK and Ireland tour has... The post Westlife’s The Twenty Tour Uses Blackmagic Design Live Solutions appeared first on ProVideo Coalition.

V-Ray for Houdini Emerges from Beta

July 30, 2019, 09:43 AM

https://www.studiodaily.com/2019/07/v-ray-houdini-...

After more than a year of beta-testing, Chaos Group has released V-Ray for Houdini. Ingenuity Studios has been using an alpha build since 2017 to put the renderer through its paces, and V-Ray for Houdini is now the company’s primary tool for scene assembly and lighting, according to Ingenuity owner and VFX supervisor Grant Miller. […] The post V-Ray for Houdini Emerges from Beta appeared first on Studio Daily.

How to Use Redshift Progressive Mode for Faster Re

July 30, 2019, 09:43 AM

https://lesterbanks.com/2019/07/how-to-use-redshif...

Five31 shows how you can speed up some parts of your workflow by using progressive mode instead of buckets. Production rendering is a constant fight of quality of the renders over time. It’s always a

Skywalker Sound’s audio post mix for Toy Story 4

July 30, 2019, 09:43 AM

https://postperspective.com/skywalker-sounds-audio...

By Jennifer Walden Pixar’s first feature-length film, 1995’s Toy Story, was a game-changer for animated movies. There was no going back after that blasted onto screens and into the hearts of millions. Fast-forward 24 years to the franchise’s fourth installment — Toy Story 4 — and it’s plain to see that Pixar’s approach to animated fare hasn’t changed. Continue reading → July 29, 2019 The post Skywalker Sound’s audio post mix for Toy Story 4 appeared first on postPerspe...

Dalet Announces New Dalet Brio

July 30, 2019, 08:31 AM

https://www.aotg.com/dalet-announces-new-dalet-brio/

Flexible, high-density I/O platform enables controlled transition to IP; Passes JT-NM SMPTE ST 2110 testing

#dalet#dalet digital media systems#ip#dalet brio#smpte st 2110
The latest developments from ftrack

July 30, 2019, 07:37 AM

https://beforesandafters.com/2019/07/30/the-latest...

I’m excited to have ftrack as the sponsor of #realtimewrapup week here at befores & afters; this weekly series is a special dive into various real-time and virtual production happenings direct from SIGGRAPH 2019 in LA.

Stranger Things 3 - VFX Breakdown

July 30, 2019, 07:37 AM

https://www.artofvfx.com/stranger-things-season-3-...

German studio RISE presents their work on the third season of STRANGER THINGS...

The latest developments from ftrack

July 30, 2019, 07:37 AM

https://beforesandafters.com/2019/07/30/the-latest...

I’m excited to have ftrack as the sponsor of #realtimewrapup week here at befores & afters; this weekly series is a special dive into various real-time and virtual production happenings direct from SIGGRAPH 2019 in LA.

How ‘The Lion King’ filmmakers shot the 'Every

July 30, 2019, 07:37 AM

https://beforesandafters.com/2019/07/30/how-the-li...

Jon Favreau’s re-imagining of The Lion King took on a whole new filmmaking paradigm. The final result was a huge visual effects and animation effort, and it also involved a heavily reliance on virtual production on a virtual stage with real-time and VR tools, all aimed at bringing to the film a ‘live-action’ look and feel, as if a camera crew had gone out to shoot the movie in Africa.

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