To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
The Umbrella Academy‘s Emmy-nominated VFX supe E
July 25, 2019, 09:06 AM
https://postperspective.com/the-umbrella-academys-...
By Iain Blair If all ambitious TV shows with a ton of visual effects aspire to be cinematic, then Netflix’s The Umbrella Academy has to be the gold standard. The acclaimed sci-fi, superhero, adventure mash-up was just Emmy-nominated for its season-ending episode “The White Violin,” which showcased a full range of spectacular VFX. Continue reading → July 25, 2019 The post The Umbrella Academy‘s Emmy-nominated VFX supe Everett Burrell appeared first on postPerspective.
Alita - Battle Angel VFX Breakdown
July 25, 2019, 09:06 AM
https://www.artofvfx.com/alita-battle-angel-vfx-br...
Come have a look at the work of DNEG on ALITA – BATTLE ANGEL...
MIFF EDITING MASTERCLASS
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https://www.screeneditors.com.au/miff-editing-mast...
LUT Mixer for FCP X, Premiere Pro and After Effect
July 25, 2019, 09:06 AM
https://fxfactory.com/blog/after-effects/lut-mixer...
Combine and apply multiple LUTs with automatic skin tone protection and no loss in quality.
Stranger Things Season 3 - VFX Breakdown
July 25, 2019, 06:12 AM
https://www.artofvfx.com/stranger-things-season-3-...
Vancouver studio CVD VFX presents their work on the third season of STRANGER THINGS...
7 Essential Tips and Tricks for Premiere
July 25, 2019, 06:12 AM
https://www.premiumbeat.com/blog/7-tips-mastering-...
Every editor has that moment when they first discover that truly awesome — often time-saving — breakthrough. It’s like a breath of fresh air, suddenly reinvigorating your work.
AE Content Aware Fill: When It Doesn't Work
July 25, 2019, 06:12 AM
https://library.creativecow.net/pyper_cody/adobe-a...
There’s a new artificial intelligence-powered feature in Adobe After Effects called Content-Aware Fill that allows you to remove anything from your shots fairly easily! It's powerful, but if you’ve tried it you know that it doesn’t always work perfectly. So what do you do when it doesn’t work as well as you'd hoped? Filmmaker Cody Pyper is here to show what to try next!
15 Premiere Pro Tips learned the hard way
July 25, 2019, 06:12 AM
https://nofilmschool.com/premiere-pro-tips-learn-h...
"If I knew then what I know now" is such a big trope in editing that it might as well be included somewhere at the end of our credits. The methods and techniques we used when we first started were probably not the best...and we all probably have the crappy amateur videos and films to prove it.
Autodesk ships Flame 2020.1
July 25, 2019, 06:12 AM
http://www.cgchannel.com/2019/07/autodesk-ships-fl...
Autodesk has released Flame 2020.1, the latest update to its compositing, VFX and finishing software, adding a machine-learning-driven sky extraction system and tools for extracting mattes from motion vectors.
*Nueva Mente*, por Germán Cantore (SAE)
July 25, 2019, 06:12 AM
http://saeditores.org/Novedades/Nueva-Mente-por-Ge...
Una síntesis personal de la edición por sus artífices
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