It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 24, 2019, 05:49 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Colorist Jason Wallis has returned home to Electric Theatre Collective’s London studio after two years at the company’s Los Angeles office. Wallis played a key role in driving the LA studio’s color team, and worked on projects such as Lil Nas X’s hit video Old Town Road, Levi’s Use Your Vote, and Vince Staples music video Fun!.
July 24, 2019, 05:49 AM
http://www.fcp.co/final-cut-pro/news/2196-abridged...
Brad Olsen, the producer of the FCPX film 'Off the Tracks' has announced that an abridged version will be available on YouTube at 8PM tonight (BST) Midday PDT. We have embedded the video so that it's ready to watch!
July 24, 2019, 05:49 AM
https://www.provideocoalition.com/the-art-of-the-c...
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors today about their careers, editing workflows and... The post The Art of the Cut Podcast Eps. 5 (w/ I Am Mother Editor Sean Lahiff) appeared first on ProVideo Coalition.
July 24, 2019, 05:49 AM
https://www.provideocoalition.com/aotc-sanger/
Mark Sanger, ACE was one of the very first guests on Art of the Cut when he won the Oscar for Best Editing for Gravity in 2013 – a film for which he was also nominated for an ACE Eddie for Best Edited Dramatic Feature Film. Mark started as an assistant editor and VFX editor... The post ART OF THE CUT with Oscar-winning editor Mark Sanger, ACE appeared first on ProVideo Coalition.
July 24, 2019, 05:48 AM
https://www.premiumbeat.com/blog/mr/sad-royalty-fr...
Sad music is one of the most dependable tools available to film and video creators. Songs rich with mournful minor keys and deliberate downtempo stillness (like those found in the curated playlist at the bottom of this post) convey raw emotions and bleak existential experiences in ways that language images alone can’t.
July 24, 2019, 05:48 AM
https://www.artofvfx.com/game-of-thrones-season-8-...
If you like Dragons and massive destructions, be sure to watch this VFX Breakdown by Scanline VFX about their work on the eight season of GAME OF THRONES...
July 24, 2019, 05:48 AM
https://www.premiumbeat.com/blog/easy-compositing-...
Creating professional-looking titles in After Effects is a lot easier than most people think. The key is knowing a few basic compositing principles — often used on blockbuster movies — then applying those to your own titles. And we don’t even need any expensive, third-party plugins to do this. Using a combination of these compositing techniques in subtle ways can give our titles a professional edge.
July 24, 2019, 05:48 AM
https://beforesandafters.com/2019/07/24/deep-blue-...
As on-screen deaths go, Samuel L. Jackson’s sudden mid-film send-off in Renny Harlin’s shark sci-fi horror Deep Blue Sea is an absolute killer (and Jackson has had a few).
July 24, 2019, 05:48 AM
https://www.aotg.com/perspective-as-the-story-in-fleabag/
A peak into BBC 3 and Amazon's Fleabag and how it uses perspective as a storytelling device. This video is an audio remaster and reupload of a blocked video from 2016. New video on Phoebe Waller-Bridge's new series Killing Eve is in the works.
July 23, 2019, 12:59 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — For those who won’t make it to the SIGGRAPH show in LA next week, there’s still an opportunity to be a part of the excitement via a livestream. Tune in to Facebook or YouTube for the following events.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.