It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 16, 2019, 07:27 AM
https://www.aotg.com/colorspace-4k-hdr-vehicle-uses-davince-resolve/
Blackmagic Design announced today that Picture Block used DaVinci Resolve Studio and DaVinci Resolve Mini Panel to provide HDR color correction and editing as part of the new COLORSPACE 4K HDR screening room vehicle. COLORSPACE also includes a 12G and 4K workflow using a number of other Blackmagic Design products.
#blackmagic design#davinci resolve studio#davinci resolve mini panelJuly 16, 2019, 07:04 AM
https://www.aotg.com/sasani-studios-upgrades-with-editshare/
South Africa’s largest production studio deploys EditShare Flow production asset management, EFS scale-out storage and Ark archiving to propel massive multi-camera workflow
#editshare#sasani studios#editshare workflow#editshare flow storyJuly 16, 2019, 06:13 AM
https://www.artofvfx.com/the-dead-dont-die-alex-ha...
Before blasting zombie heads for Jim Jarmush for THE DEAD DON’T DIE, Alex Hansson took care of the visual effects of movies such as CHAPPAQUIDDICK, BORG MCENROE and MONKY. He is the founder of the studio Haymaker.
July 16, 2019, 06:13 AM
https://www.youtube.com/watch?v=5PiYGLR3Wv8
Niko, Sam and Clint sit down once again to react to some of Hollywood's zestiest CGi moments: What makes a visual effect bad? What makes one great?
July 16, 2019, 06:13 AM
https://www.artofvfx.com/stan-ollie-vfx-breakdown-...
Come have a look at the invisible work made by Union VFX for STAN & OLLIE...
July 16, 2019, 06:13 AM
http://www.cgchannel.com/2019/07/sneak-peek-nuke-1...
Foundry has posted a sneak peek at the new Inpaint tool coming up in the Nuke 12.0 family, the next major update to its line-up of compositing and editorial software.
July 16, 2019, 06:13 AM
https://variety.com/2019/film/asia/industrial-ligh...
Sydney, Australia, is to be home to Industrial Light & Magic’s fifth production hub. The Disney-owned special effects company currently has facilities in San Francisco, Vancouver, London and Singapore.
July 16, 2019, 06:13 AM
https://motionworks.net/after-effects-like-a-boss/
This is an extended version of the presentation I gave at Sea Connect Creative Conference in Malaysia and Singapore in which I breakdown a title animation created for the session. I use included effects plus some third party scripts including Physics Now, Squash & Stretch Pro, Speed Lines and stock including Grit Kit and ink footage.
July 16, 2019, 06:12 AM
https://beforesandafters.com/2019/07/15/score-extr...
RebusFarm render service offers cloud rendering for a huge range of 3D software and renderers. befores & afters readers can also benefit from an exclusive special: 50 free trial RenderPoints!
July 16, 2019, 06:12 AM
https://www.premiumbeat.com/blog/choosing-kodak-mo...
Although digital has largely taken over as the primary capture format, many filmmakers are now choosing to shoot their projects on film. Whether you’re looking for a specific creative aesthetic or just enjoying the process of film, understanding film stock options will help you in this stage of the creative process.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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