It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 29, 2017, 07:17 AM
http://edaeditores.org/eliane-katz-sae-gano-el-pre...
La Academia de las Artes y Ciencias Cinematográficas de la Argentina entregó anoche, durante una ceremonia realizada en la Sala Argentina del Centro Cultural Kirchner y transmisión en vivo de la TV Pública, los Premios Sur 2017 que en su XI edición reconoció a las mejores películas argentinas estrenadas en la temporada 2016. El galardón a Mejor Montaje fue […]
March 29, 2017, 04:10 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Is it worth risking this kid's life for a chance to play the Rivoli?” — Matt ...
March 29, 2017, 04:10 AM
http://www.studiodaily.com/2017/03/qa-editshare-ce...
After experienced editor and director Andy Liebman founded EditShare back in 2003, his company quickly gained a reputation for flexible, affordable storage options that leveraged Ethernet rather than fibre-channel connectivity. Moreover, the company offered comprehensive media-management features that helped keep Avid projects on track while drawing from a shared pool of media. EditShare developed its editorial know-how […] The post Q&A: EditShare CEO Andy Liebman on Storage and Network...
March 29, 2017, 04:10 AM
http://www.studiodaily.com/2017/03/nycs-bikini-edi...
New York editorial studio Bikini Edit said it had hired Cary Flaum as executive producer following its recent move from Manhattan’s Soho district to Orchard Street on the Lower East Side. Flaum was formerly the executive producer and head of production at Midtown production company Shilo. After its move to Orchard Street, Bikini Edit opened its own 1,400-square-foot […] The post NYC’s Bikini Edit Hires Cary Flaum as Executive Producer appeared first on Studio Daily.
March 29, 2017, 04:09 AM
https://www.rocketstock.com/blog/change-sunglass-r...
In The Matrix, Morpheus offers Neo two choices: take the blue pill, the conversation ends, and Neo will wake up thinking everything was a dream. Alternatively, he can take the red pill and see “how deep the rabbit hole goes.”
March 28, 2017, 07:04 PM
http://renderplease.com/post/158931320295
March 28, 2017, 07:03 PM
http://postperspective.com/chatting-scorseses-go-e...
By Iain Blair Thelma Schoonmaker and Martin Scorsese go together like Lennon and McCartney, or Ben and Jerry. It’s hard to imagine one without the other. Simply put, Schoonmaker has been Martin Scorsese’s go-to editor and key collaborator over the course of 23 films and half a century, Continue reading → March 28, 2017 The post Chatting with Scorsese’s go-to editor Thelma Schoonmaker appeared first on Randi Altman's postPerspective.
March 28, 2017, 07:03 PM
http://blogs.adobe.com/creativecloud/the-birth-of-...
Video production has always been a passion for Kelsey Brannan. Her high school offered a media academy that integrated technology and video production courses with the core curricula in 10th and 11th grade Social Studies and English classes. Working with video in high school led her to pursue a bachelor’s degree in film and media studies, followed by an M.A. with a focus on documentary filmmaking. Today, Kelsey is a Federal Contractor, employed by Async-Nu Microsystems, working at the U.S....
March 28, 2017, 07:03 PM
http://www.doddlenews.com/news-room/media-100-with...
When I wrote my first short film we shot it in two weeks and then cut it with Media 100. I had never heard of this editing suite at the time, but our director swore by it, and the ability to do professional grade editing, with special effects and mixed media was pretty cool. But it wasn’t cheap either back in 1999. But now, in 2017, Boris FX, in partnership with MacVideo Promo, have made Media 100 for the Mac free. That’s right. FREE.
March 28, 2017, 09:23 AM
http://www.videoguys.com/blog/final-cut-pro-makes-...
Emmy Award winning Filmmaker, Tanner Shinnick, shared with Premium Beat about why he went back to FCP. Why I Switched Back to Final Cut Pro After two months with FCPX, I have decided to make the switch from Premiere. Here’s why. A couple months ago, I posted an article about how I was considering switching to Read More The post Final Cut Pro Makes a Comeback! appeared first on Videoguys Blog.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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