It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 10, 2020, 12:58 PM
https://www.fcp.co/final-cut-pro/news/2257-mergex-...
We have covered both MergeX and PostLab here on FCP.co. Now we can be the first to announce that they have joined forces! The app for merging FCPX libraries together is now part of Postlab.
April 10, 2020, 12:58 PM
https://digitalfilms.wordpress.com/2020/04/09/fxfa...
Apple Final Cut Pro X enjoys a broad ecosystem that augments and supports the product with companion applications, graphic templates, and plug-ins. Thanks to the ability to use Motion to create Final Cut Pro X template effects, the application has spawned a wide range of innovative, albeit sometimes novice, developers. But really getting the most […]
April 9, 2020, 03:25 PM
https://www.artofvfx.com/the-witcher-vfx-breakdown...
Come have a look at this VFX Breakdown by Platige Image about their work on the first season of THE WITCHER...
April 9, 2020, 12:11 PM
https://www.redsharknews.com/business/item/7105-co...
Quarantine has forced the cinema industry into a straight to online experiment that may point traditional moviegoing to the exit. CinemaNetflixStreamingCinema coronavirusCinema Covid 19
April 8, 2020, 04:32 PM
https://www.artofvfx.com/locke-and-key-vfx-breakdo...
Cinesite have released this VFX Breakdown about their work on the first season of Netflix series, LOCKE & KEY...
April 8, 2020, 04:31 PM
https://variety.com/2020/artisans/production/visua...
As the coronavirus pandemic started to sweep the country and subsequently shut down businesses in the U.S., post-production houses with global offices were paying close attention, watching and strategizing. That process involved looking at existing work from home set-ups, network security and mobilizing an entire workforce so that productivity continued comfortably, seamlessly and securely.
April 8, 2020, 01:00 PM
https://92moose.fm/cats-butthole-cut-effects/
In the dumpster fire that is Tom Hooper’s adaptation of Andrew Lloyd Weber’s hit Broadway musical Cats, no news is too shocking. From its very first trailer, the Universal-produced movie became the butt of every joke. The horrific animation alone was enough to spawn its own category of memes. But even months (and six Razzie Awards) later, Cats is still managing to ruffle the fur of those who worked on the project. In a new interview with The Daily Beast, an anonymous source gave the scoop on...
April 7, 2020, 02:11 PM
https://postperspective.com/gtc-a-look-at-the-mand...
By Mike McCarthy Each year, Nvidia hosts a series of conferences that focus on new developments in GPU-based computing. Originally, these were about graphics and visualization, which were the most advanced things being done with GPUs. Now they focus on everything from supercomputing and AI to self-driving cars and VR. The first GTC conference I attended was in 2016, Continue reading → April 6, 2020 The post GTC: GPUs power The Mandalorian‘s in-camera VFX, realtime workflows appeared f...
April 6, 2020, 01:10 PM
https://www.animationmagazine.net/people/passings/...
Visual effects producer Rebecca Ramsey, who lent her skills to blockbuster spectacles including films in the Harry Potter and Hunger Games franchises, died March 7 from complications related to a fall in her home. The news was shared by Ramsey’s longtime friend, Jenny McShane. She was 53 years old.
April 4, 2020, 02:56 PM
https://beforesandafters.com/2020/04/04/vfx-studio...
I started seeing, too, a bunch of fun Zoom captures or other ‘home set-up’ images from the studios, so I’d thought I’d embed some here. Note, there’s of course a whole lot of VFX studios who have successfully implemented remote working – many of which have been operating like this for a number of weeks already – that might not appear here. This listing below is only where I found pics of the crew (or, in some cases, pics of the crew’s cats).
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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