It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 3, 2020, 05:25 PM
https://www.aotg.com/red-giant-debuts-tutorial-on-how-to-create-a-force/
Red Giant has just released a quick and easy tutorial on creating a forcefield/watery surface effect. Now out on YouTube, Aharon Rabinowitz showcases his process of developing this effect using tools from Red Giant Complete. In just under 5-minutes, the tutorial shows viewers how to use a displacement map along with other tools to create a beautiful flowing, prismatic surface with refraction - all from the comfort and safety of one’s living room. Because it might be nice to shield oneself from...
April 3, 2020, 02:27 PM
https://lesterbanks.com/2020/04/how-to-visualize-m...
Dr. Jeroen Claus shows how you can visualize protein structures using Houdini. A new tutorial from Dr. Jeroen Claus shows how you can use Side FX Houdini to visualize protein structures. Specifically the SARS-Cov-2 Spike
April 1, 2020, 10:23 PM
https://www.aotg.com/introducing-red-giant-complete-monthly/
Last week, Red Giant announced it is now making it possible to get a monthly subscription to Red Giant Complete, a subscription service that gives editors, motion designers and VFX artists all Red Giant tools at one low price. Now for just $79/ month, subscribers will have access to Trapcode Suite, Magic Bullet Suite, Universe, VFX Suite and Shooter Suite. With Red Giant Complete, annual and monthly subscribers will have the most up-to-date versions of all tools, saving thousands of dollars over
April 1, 2020, 04:20 PM
https://www.artofvfx.com/ozark-season-3-vfx-breakd...
Come have a look at the seamless work of FuseFX on the third season of OZARK...
April 1, 2020, 12:58 PM
https://www.shutterstock.com/blog/3d-eye-animation...
Concerns such as: “I don’t know Cinema 4D,” “3D is hard,” and “Yeah, Blender is free, but I don’t know 3D,” shouldn’t prevent you from pursuing an animation idea.
March 30, 2020, 07:51 PM
https://www.artofvfx.com/ich-war-noch-niemals-in-n...
Pixomondo takes us across the Atlantic and make us discover New York in this VFX Breakdown about their work on ICH WAR NOCH NIEMALS IN NEW YORK...
March 27, 2020, 12:31 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Alkemy X (www.alkemy-x.com) has added VFX supervisors Bilali Mack and Erin Nash to its New York City office. Mack comes to the studio from MPC, where he supervised and executed VFX on spots for Adidas, Sonos, Google and BMW. Nash joins the team from FuseFX, where he served as head of 2D, leveraging his experience across television, film and commercial work.
March 27, 2020, 12:28 PM
https://beforesandafters.com/2020/03/27/get-to-kno...
Readers of befores & afters would certainly have seen and read here about some of the big-budget destruction in the latest film and television projects.
March 25, 2020, 01:18 PM
https://postperspective.com/visual-effects/#utm_so...
By Karen Moltenbrey A couple of decades or so ago, studios needed the exceptional power of a machine offered by the likes of SGI for complex visual effects. Non-specialized PCs simply were not cut out for this type of work. But then a sea change occurred, and suddenly those big blue and purple boxes were being replaced with options in the form of workstations from companies such as Sun, Continue reading → March 24, 2020 The post Visual Effects appeared first on postPerspective.
March 25, 2020, 01:17 PM
https://beforesandafters.com/2020/03/25/do-not-mis...
I previously talked to Han Yang about his short, The Lander, where we discussed his experimentation with different workflows.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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