To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Cineo Unveils Quantum c80 at NAB 2017

April 3, 2017, 01:45 PM

https://www.aotg.com/cineo-unveils-quantum-c80-at-nab-2017/

Lighting Fixture Features First Implementation of Cineo's Color Control Technology

#nab#cineo lighting
New RED IPP2 Demosiacing Algorithm w Images

April 3, 2017, 09:25 AM

http://theangryvideoguy.com/index.php/2017/04/03/n...

Following up my IPP2 Writeup , RED has released Build 6.4.17 for DSMC2 Cameras along with an updated Redcine-X. IPP2 promises better management of challenging colors, an improved demosaicing algorithm to achieve higher detail at the same pixel resolution. See the before/afters when demosiaced with the new RedcineX

#color grading#color correction#camera#red digital cinema#digital cinema#camera tech#ipp2
SGO to reveal Mistika 8.7 capabilities at InterBEE

March 31, 2017, 05:23 AM

http://www.sgo.es/sgo-to-reveal-mistika-8-7-capabi...

SGO will be showcasing Mistika version 8.7 with exclusive demonstrations on VR, HDR, Colour grading, 4K and 8K capabilities at

Sony FS5 Will Get HDR Firmware Update

March 27, 2017, 12:40 PM

http://theangryvideoguy.com/index.php/2017/03/27/s...

The Sony FS5 and PXW-Z150 will receive a firmware upgrade this summer adding HDR support to the cameras. Following BT.2020 & BT.2100 specifications, it adds support for Hybrid Log Gamma (HLG) and Rec. 2020 color space. Let’s delve into what that means.

#sony#firmware#bt.2020#bt.2100#hlg#hybrid log gamma#rec.2020#sony fs5
VariCam: Exquisitely sensitive and colourful [spon

March 27, 2017, 09:19 AM

http://www.redsharknews.com/production/item/4465-v...

With a dual native ISO, 14+ stops of dynamic range and enhanced colour rendition, the new generation of Varicams have remarkable and unique talents. panasonicvaricamPlanet EarthVariCam 35Varicam LTDual native ISO

“Shot With GeForce GTX” NVIDIA Ansel Contest:

March 26, 2017, 12:04 PM

http://www.geforce.com/whats-new/articles/tom-clan...

“Shot With GeForce GTX” NVIDIA Ansel ContestCapture and share amazing NVIDIA Ansel screenshots in Tom Clancy’s Ghost Recon Wildlands for a chance to win fantastic prizes.

Japan’s HBC Flex Installs Cintel Film Scanner

March 24, 2017, 10:43 AM

https://www.aotg.com/japans-hbc-flex-installs-cintel-film-scanner/

Blackmagic Design today announced that HBC Flex has installed a Blackmagic Cintel Film Scanner to archive numerous films they have produced over their more than 50 years of filmmaking.

#color grading#post production#film scanning
KUROSAWA COLOR

March 22, 2017, 04:55 PM

https://www.aotg.com/kurosawa-color/

He brought painting to the cinema like no other director.

Creating the color of Hacksaw Ridge

March 22, 2017, 12:37 PM

http://postperspective.com/creating-color-hacksaw-...

Australian colorist Trish Cahill first got involved in the DI on Mel Gibson’s Hacksaw Ridge when when she was approached by cinematographer Simon Duggan about her interest in the project and her availability. See didn’t have to consider the idea long before saying yes. Hacksaw Ridge, Continue reading → March 22, 2017 The post Creating the color of Hacksaw Ridge appeared first on Randi Altman's postPerspective.

Lumetri Color Panel Overview

March 20, 2017, 07:22 AM

https://www.aotg.com/lumetri-color-panel-overview/

Thanks to Alex from Archaius Creative, a Post House for Wedding and Commercial work and LensProToGo for their look at the Lumetri Adobe Colour Panel settings.

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