To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Five Predictions of NAB 2017 Trends

April 19, 2017, 12:25 PM

http://theangryvideoguy.com/index.php/2017/04/19/5...

The big event kicks off this weekend and here is what I think will be the themes that carry NAB 2017. It doesn’t seem that new cameras will be as prominent which will allow other tech to be front & center. Here is what I’m thinking we can look forward to.

#hdr#lighting#lenses#nabshow#vr#nab 2017#360 vr camera#active diffusion#cooke#hdr workflows
Color, Black and White, or Hyperreal?

April 19, 2017, 05:28 AM

https://www.premiumbeat.com/blog/color-black-and-w...

Some projects look best in color. Some are better in black and white. But what if you need something more?

Red Giant Magic Bullet Suite: Looks 4 and Colorist

April 18, 2017, 07:30 PM

http://postperspective.com/red-giant-magic-bullet-...

By Brady Betzel Color grading is an art unto itself. A dedicated colorist can make your footage look so good, your response upon seeing it will likely be, “I had no idea it could look like this.” Unfortunately, as an editor you don’t have the opportunity to spend 10 hours a day honing the craft of color correction. Continue reading → April 18, 2017 The post Red Giant Magic Bullet Suite: Looks 4 and Colorist IV appeared first on Randi Altman's postPerspective.

Get Powerful Color Tools for Free from Baselight

April 18, 2017, 12:54 PM

http://nofilmschool.com/2017/04/baselight-student-...

Producing the best quality software doesn't always win companies a user base. They also need a large body of skilled users—and a pipeline of new users learning to use your product to bring in as assistants—to have a chance at a market share. As we saw a decade ago with Final Cut 7 taking a huge bite out of Avid because so many students learned it in school, software companies need to ensure that the next wave of filmmakers knows how to use their platform. Blackmagic Da Vinci Resolve offers i...

FilmLight Rolls Out 5.0 Across its Entire Product

April 14, 2017, 05:28 AM

http://www.btlnews.com/community/filmlight-rolls-5...

FilmLight has announced that it will demonstrate its version 5.0 color tools at NAB 2017. Longtime users will benefit from a consistent and familiar user experience, from the flagship Baselight color grading and finishing system, through Baselight Editions, to Daylight and the new on-set application, Prelight. “We are delivering 5.0 everywhere, bringing a new level of […] The post FilmLight Rolls Out 5.0 Across its Entire Product Range appeared first on Below the Line.

Remove and Merge Color Correction in Avid Media Co

April 14, 2017, 05:27 AM

http://www.avidblogs.com/remove-merge-color-correc...

The article Remove and Merge Color Correction in Avid Media Composer with the Symphony Option by Bri Kelley appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Ed Koenig returns to MPC to help lead remote color

April 13, 2017, 04:21 PM

http://postperspective.com/ed-koenig-returns-mpc-h...

Ed Koenig has rejoined visual effects and post production studio MPC as an executive producer. Formerly EP of color at MPC’s Los Angeles office, he was one of the first hires the company made when it opened there in 2008. Koenig brings a broad range of post experience to his new post, Continue reading → April 13, 2017 The post Ed Koenig returns to MPC to help lead remote color, VFX services   appeared first on Randi Altman's postPerspective.

FilmLight showing V.5.0 update across range of col

April 13, 2017, 07:41 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — At NAB 2017 FilmLight (www.filmlight.ltd.uk) will demonstrate Version 5.0 of its advanced color tools. Users benefit from the same powerful toolkit, and a consistent and familiar user experience, from the flagship Baselight color grading and finishing system, through Baselight Editions, to Daylight and the new on-set application, Prelight.

MZ Studio Delivers with DaVinci Resolve Studio

April 12, 2017, 10:02 AM

https://www.aotg.com/mz-studio-delivers-with-davinci-resolve-studio/

Blackmagic Design today announced that Shanghai based MZ Studio graded Chinese smartphone maker vivo’s X9 commercial, starring Taiwanese icon Eddie Peng Yu-yen, with DaVinci Resolve Studio and DaVinci Resolve Advanced Panel.

#color grading#post production#color correction
Graded Footage Samples from the AXIOM Beta Camera

April 12, 2017, 09:21 AM

http://theangryvideoguy.com/index.php/2017/04/12/a...

The sensor itself is a CMOSIS CMV12000 with a resolution of 4096×3072, a color depth of 12-bit, and 300FPS capture (if in 10-bit). apertus° recently released a collection of clips shot over an 18 month testing period on a variety of lenses including Nikon primes, Contax, M42, Canon and other Nikon lenses.

#color grading#beta#cameras#apertus#axiom

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.