To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Viddsee Uses Blackmagic URSA Mini Pro on New Mothe

May 19, 2017, 10:38 AM

https://www.aotg.com/viddsee-uses-blackmagic-ursa-mini-pro-on-new-mothe/

Blackmagic Design today announced that award winning Singapore-based short film director Daniel Yam shot his new short film, “Time,” using URSA Mini Pro and completed color correction using DaVinci Resolve. The film marks Viddsee’s first original short film, which was commissioned as part of Viddsee’s partnership with the Singapore Film Commission, a division of Singapore’s Info-Communications Media Development Authority.

#color grading#post production#color correction
Inside Tangents New Colour Grading Panels

May 15, 2017, 09:26 AM

http://jonnyelwyn.co.uk/film-video-editing-tools-f...

In this post I chat to Andy Knox, Tangent's Sales Director, about their two new colour grading panels, the Wave2 and Project Tsunami.

#tangent wave2#tangent colour grading panels#tangent tsunami
SGO launches Mistika Co-Pilot – a real time assi

May 15, 2017, 05:24 AM

https://www.sgo.es/sgo-launches-mistika-co-pilot-a...

New additional seat allows for two artists to work simultaneously speeding up workflows. On the back of NAB 2017, we

What are LUTs?

May 12, 2017, 04:43 AM

https://www.aotg.com/what-are-luts/

Thanks to LensProToGo and Alex from Archaius Creative for their introduction and brief explanation on what LUTs are.

Sharpening Plugins for Video- Part II

May 11, 2017, 07:53 AM

http://theangryvideoguy.com/index.php/2017/05/11/i...

This is a continuation of a multi part series on image sharpening plugins for video, in which the basics were covered in Part I. For these images I used no noise reduction and only the sharpening features as to not skew the images. With almost all disciplines in the creative, a lot of it is subjective.

#post production#articles#samurai sharpen#sharpening#unsharp mask#neat video
New Sigma Cine and Global Vision Lenses Earn Major

May 5, 2017, 07:23 AM

https://www.sigmaphoto.com/article/sigma-cine-sgv-...

Honored with two TIPA Awards and the Digital Imaging Reporter 2017 Retailers' Choice Award for its still photography lenses; receives StudioDaily Prime, NewBay Best of Show and ProductionHub Excellence Awards for its breakthrough Cine lenses

#production#nab#filmmaking#cameras#sigma#cine lenses
Change the Seasons in Your Video with This Techniq

May 3, 2017, 04:54 AM

https://www.premiumbeat.com/blog/technique-to-chan...

Nature doesn't always cooperate with production schedules. Shift the time of year in your video with this technique.

NAB 2017: Technicolor Postworks' Joe Bierne

May 3, 2017, 04:53 AM

https://www.youtube.com/watch?v=XH5pDfMf_eY

Technicolor Postworks' CTO, Joe Bierne, discusses how 4K and HDR are a big part of their scripted and cinema workflows.

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