To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Guardians of the Galaxy Vol. 2 ACES Workflow

June 6, 2017, 12:31 PM

http://www.studiodaily.com/2017/06/guardians-galax...

How did Marvel Studios ensure that the amazing, eye-popping visuals created by Guardians of the Galaxy Vol. 2 director James Gunn, cinematographer Henry Braham, and VFX supervisor Christopher Townsend all ended up on screen as the filmmakers intended? Marvel Studios used ACES to manage the film’s color pipeline from dailies through to VFX, DI and […] The post Guardians of the Galaxy Vol. 2 ACES Workflow appeared first on Studio Daily.

Goldcrest Films Relies on Cintel Film Scanner

June 6, 2017, 11:46 AM

https://www.aotg.com/goldcrest-films-relies-on-cintel-film-scanner/

Blackmagic Design has announced that Goldcrest Post has utilized a Blackmagic Cintel Film Scanner for a major restoration project to upgrade asset formatting for all of Goldcrest Film’s prestigious library titles, which were scanned to Ultra HD 4K and remastered in 2K.

#color grading#4k#post production#ultra hd#film scanning
Color Grading Footage in After Effects with Lumetr

June 2, 2017, 07:26 AM

https://www.premiumbeat.com/blog/color-correcting-...

Learn how to color correct your video with the new Lumetri Scopes in After Effects.

ITN Productions 12G-SDI Blackmagic Design Workflow

May 31, 2017, 02:02 PM

https://www.aotg.com/itn-productions-12g-sdi-blackmagic-design-workflow/

Blackmagic Design has today announced that ITN Productions has expanded its post production capabilities following an investment of £1.4 million in a new state of the art facility built on a 12G-SDI backbone and featuring software and infrastructure products from Blackmagic Design.

#editing#color grading#post production#ultra hd#12g-sdi
LUT Gallery - An essential plugin for colorists

May 26, 2017, 02:11 AM

http://jonnyelwyn.co.uk/film-and-video-editing/lut...

Check out my review and tutorials of LUT Gallery, a new plugin for Resolve and FCPX that lets you see your LUT library as real-time previews instead of long text lists. A huge timesaver for any colorist or editor!

#fcpx#davinci resolve#luts#colour grading#lut gallery
How to Easily Color Fragments in C4D

May 25, 2017, 02:59 PM

http://lesterbanks.com/2017/05/easily-color-fragme...

The Maxon team have been pushing out some helpful quick tips pretty constantly over the last little while. They are great bite-sized bits of information that the newly minted C4D user can easily level up The Post How to Easily Color Fragments in C4D originally appeared and published on %%BLOGLINK%,by lesterbanks

Sigma Presents Its Cine Lens Line-up at Cine Gear

May 24, 2017, 09:01 AM

https://www.aotg.com/sigma-presents-its-cine-lens-line-up-at-cine-gear/

State-of-the-art Sigma Cine delivers impressive resolving power up to 8K for the latest filmmaking tools

Understanding Color Rendering Index with LEDs

May 23, 2017, 02:35 PM

https://www.premiumbeat.com/blog/color-rendering-i...

The Color Rendering Index can help you get the best LED color reproductions.

NAB 2017: SGO's Miguel Doncel

May 22, 2017, 02:30 PM

https://www.youtube.com/watch?v=oJPuYcyLHCM

SGO's Mistika is now making portions of its Mistika as individual products, including Mistika VR, Mistika Ultima and Mistika Insight.

Digital Garden Builds 8K System Around Blackmagic

May 22, 2017, 01:28 PM

https://www.aotg.com/digital-garden-builds-8k-system-around-blackmagic/

Blackmagic Design today announced that a number of Blackmagic products, including multiple Teranex Expresses, Teranex Minis and ATEM 2 M/E Broadcast Studio 4K, were used by Tokyo’s Digital Garden to create a new 8K HDR video.

#hdr#dit#8k
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