To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

‘Mad Max: Fury Road’ Color Grading Breakdown V

July 8, 2017, 05:39 PM

http://www.indiewire.com/2017/07/mad-max-fury-road...

It’s now been over two years since “Mad Max: Fury Road” first raced into our hearts, and yet we still can’t stop thinking about it almost every single day. Fortunately, neither can most cinephiles. Every month there appears to be a new exploration of the action movie, breaking down one of its pitch perfect visual elements. The latest video essay comes from Fandor, and it breaks down the color grading that makes “Fury Road” such an eye-popping visual experience.

TV Tokyo Uses URSA Mini 4.6K and Resolve 14

July 7, 2017, 08:13 AM

https://www.aotg.com/tv-tokyo-uses-ursa-mini-4-6k-and-resolve-14/

Blackmagic Design announced today that TV Tokyo’s new drama series “Izakaya Fuji,” which begins airing this July 8th, was shot using two Blackmagic URSA Mini 4.6Ks as the A and B cameras, as well as Blackmagic’s Video Assist and Video Assist 4K and SmartView 4K. On-set and final grading for the series was done using DaVinci Resolve Studio 14 and the DaVinci Resolve Mini Panel.

#color grading#post production#on-set
How Wonder Woman Uses Color

July 5, 2017, 12:28 PM

https://www.aotg.com/how-wonder-woman-uses-color/

A mini video essay on how WONDER WOMAN uses color as a storytelling device.

Technicolor invests in Baselight X to meet increas

July 5, 2017, 04:45 AM

http://www.broadcastbeat.com/technicolor-invests-i...

15 May 2017: Technicolor, the world leader in production and post-production services, has extended its colour grading capabilities in Hollywood with FilmLight’s Baselight X system. Baselight X is the latest and most powerful implementation of the Baselight colour grading and finishing system. HDR colour grading services are available at Technicolor’s post-production facilities globally, but its ...

Major New Video Assist 2.5 Update

June 30, 2017, 11:45 AM

https://www.aotg.com/major-new-video-assist-2-5-update/

Major new free update adds professional vector scope, waveform monitor, RGB parade and histogram to Blackmagic Video Assist 4K.

#4k#monitor#waveform#recorder#scopes#histogram
Digital Garden Upgrades New 12G-SDI Machine Room

June 28, 2017, 01:58 PM

https://www.aotg.com/digital-garden-upgrades-new-12g-sdi-machine-room/

Blackmagic Design today announced that Tokyo based post production house Digital Garden updated to a new 12G-SDI machine room using Blackmagic Design’s Teranex AVs and Teranex Minis.

#editing#color grading#post production#12g-sdi
Colorist Paul Allia Joins Picture Shop

June 28, 2017, 05:19 AM

http://www.btlnews.com/community/colorist-paul-all...

Picture Shop has announced that they are excited to welcome colorist Paul Allia. He will be joining the company’s growing arsenal of award winning talent. Some of his notable projects include Crazy Ex-Girlfriend, Criminal Minds: Beyond Borders, and Minority Report. “Paul has been on my radar for a while now, over the years he’s grown […] The post Colorist Paul Allia Joins Picture Shop appeared first on Below the Line.

RUNNING TV Installs Blackmagic Cintel Film Scanner

June 27, 2017, 09:31 AM

https://www.aotg.com/running-tv-installs-blackmagic-cintel-film-scanner/

Blackmagic Design today announced that audiovisual production and distribution company RUNNING TV has implemented the Blackmagic Cintel Film Scanner as part of a workflow that has seen it digitize more than 100 archived Italian films spanning the 1920s through to the 1950s.

#color grading#post production#color correction#film scanning
Telemetrics Creates Experience at New World Center

June 26, 2017, 01:55 PM

https://www.aotg.com/telemetrics-creates-experience-at-new-world-center/

Telemetrics Helps Create Ultimate Visual Experiences at the New World Center Upgraded Robotic Camera System Provides Intuitive Control and Error-free Coverage

#telemetrics
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